Curator Helena de Freitas shares her experience of researching the life and work of Amadeo de Souza-Cardoso, highlighting the work of the Gulbenkian Foundation in investigating and preserving the modernist artist's estate.
Margarida Bezerra Bastos tells us about her experience working on CAM's Youth Advisory Group. In this interview, Margarida reflects on the difficulties in accessing art in the Portuguese interior and what young artists expect from cultural institutions.
Leopoldina Fekayamãle on her involvement with the CAM team through her participation in the Youth Advisory Group. Here she shares her personal experience and discusses how art allows us to talk about very important things in a poetic way.
On the 50th anniversary of the 25 April Revolution, we asked different generations to choose a work from CAM’s Collection and relate it to this decisive moment in our recent history.
Curator and educator Sepake Angiama shares her views and experience on new institutional models.
Curator Hicham Khalidi, director of the Jan Van Eyck Academie in Maastricht, discusses the responsibilities of cultural institutions, both outside and within organizational structures, in the scope of his participation in the programme ‘Cultural Institutions in Change’.
On the 50th anniversary of 25 April, around 50 young people born long after 1974 are preparing a concert to tell us, through music and body percussion, about the revolutions they want for their lives.
CAM interviewed Sara Rodrigues and Rodrigo B. Camacho, who together form the artistic collective Landra.
After presenting her film 'My Bodily Remains' at the Gulbenkian Foundation, we spoke to Tai Shani about her trajectory, what inspires her, and how politics and love are inseparable in her work.
On the 50th anniversary of the 25 April Revolution, we asked different generations to choose a work from CAM’s Collection and relate it to this decisive moment in our recent history.
Curator and researcher Raphael Fonseca discusses the challenges of curatorship and change in cultural institutions, as part of his participation in the programme ‘Cultural Institutions in Change’.
On the 50th anniversary of the 25 April Revolution, we asked different generations to choose a work from CAM’s Collection and relate it to this decisive moment in our recent history.
Yeri Varela shares her experience of working with the Youth Advisory Group and the various CAM teams. In this interview, Yeri reflects on what young people are looking for in cultural institutions and tells us about her passion for participatory art and the power it has to save us.
In this video, several voices share the intentions, methodologies and impacts of a process that revisits the museum from another perspective: a place of experimentation, transformative experiences and co-creation in movement.
Leonor Rosas shares her experience of the Youth Advisory Group and reflects on the challenge of attracting young audiences to cultural institutions and on the transformative power of art in society.
Participants in the project 'Exchanged gazes, (un)common places' reflect on the collective construction processes of an exhibition with works from the CAM Collection and on the transformative role of participatory projects for individuals, institutions and communities.
Joel shares his ideas, his first impressions about the experience of being a member of CAM's Youth Advisory Group and his expectations of the building's reopening.
Carolina Almeida talks about her vision and expectations for the Youth Advisory Group, the representation of young audiences in cultural institutions and the democratisation of these spaces.
Artist Fernão Cruz shares the creative process behind the works shown in the 'Morder o Pó' exhibition.
The artist's new work, acquired by CAM in 2021, is part of a series of inhabited interiors. It was on display in 2023 in the "Histories of a Collection" exhibition.
The three members of the collective 目[mé] tell us about Masayume's presentation in Lisbon and how the public received the installation that opened the Season of Contemporary Art from Japan.
Visual artist and poet Julianknxx talks about his visit to Lisbon in connection to the series 'Black Corporeal', produced in partnership with the Iminente Festival and featuring the Gospel Collective choir.
The Japanese artist shares which aspects of the city of Lisbon inspired her to create the performance and installation «Cuisine Existentielle» – an edible landscape.
Rui Chafes and Helena de Freitas, curator of the exhibition «Rui Chafes e Alberto Giacometti. Gris, Vide, Cris», guide us through the art works of both sculptors.
