In this video, several voices share the intentions, methodologies and impacts of a process that revisits the museum from another perspective: a place of experimentation, transformative experiences and co-creation in movement.
Leonor Rosas shares her experience of the Youth Advisory Group and reflects on the challenge of attracting young audiences to cultural institutions and on the transformative power of art in society.
Participants in the project 'Exchanged gazes, (un)common places' reflect on the collective construction processes of an exhibition with works from the CAM Collection and on the transformative role of participatory projects for individuals, institutions and communities.
Joel shares his ideas, his first impressions about the experience of being a member of CAM's Youth Advisory Group and his expectations of the building's reopening.
Carolina Almeida talks about her vision and expectations for the Youth Advisory Group, the representation of young audiences in cultural institutions and the democratisation of these spaces.
Artist Fernão Cruz shares the creative process behind the works shown in the 'Morder o Pó' exhibition.
The artist's new work, acquired by CAM in 2021, is part of a series of inhabited interiors. It was on display in 2023 in the "Histories of a Collection" exhibition.
The three members of the collective 目[mé] tell us about Masayume's presentation in Lisbon and how the public received the installation that opened the Season of Contemporary Art from Japan.
Visual artist and poet Julianknxx talks about his visit to Lisbon in connection to the series 'Black Corporeal', produced in partnership with the Iminente Festival and featuring the Gospel Collective choir.
The Japanese artist shares which aspects of the city of Lisbon inspired her to create the performance and installation «Cuisine Existentielle» – an edible landscape.
Rui Chafes and Helena de Freitas, curator of the exhibition «Rui Chafes e Alberto Giacometti. Gris, Vide, Cris», guide us through the art works of both sculptors.
'Portugal is no country for women' is the title of the second route created by a group of curators for the exhibition 'Histories of a Collection'.
In 2020, CAM – Centro de Arte Moderna Gulbenkian received an important donation of more than 50 works by the artist Espiga Pinto, made between the 1960s and the 1980s.
The artist presents a site-specific project installed in a shipping container located in the square outside the Fonte Nova Shopping Centre, in Benfica.
In the summer of 2022, CAM acquired three sculptures by Belén Uriel, marking the first representation of this artist in its collection.
On his first visit to Lisbon, julianknxx talks about his project 'Black Corporeal', produced in partnership with the Iminente Festival. The presentation in Lisbon involves the participation of the Gospel Collective choir and takes place on 20 May at the Open Air Amphitheatre of the Calouste Gulbenkian Foundation.
CAM welcomes another work by the artist Lisa Santos Silva, donated to the Collection in 2022.
Carlos Bunga has designed a house and inhabited a place in the Gulbenkian Garden, which can be visited until the end of April.
At the end of 2021, CAM acquired two works by the artist Maria Capelo for its collection.
The illustrator speaks about the project for the hoarding that protects the renovation works to the CAM building.
In 2022, the CAM acquired for its Collection two fundamental works by Paulo Nozolino.
In the summer of 2022, CAM acquired three sculptures-installations by Hugo Canoilas, enhancing the artist’s presence in the collection.
The artist Emília Nadal's concern with environmental degradation in the context of the consumer society crosses paths of the emerging environmentalism of the 1970s.
The opera-performance 'Sun & Sea', presented at Culturgest, opens the 2022 edition of Alkantara Festival.
