BANTUMEN at Gulbenkian
BANTUMEN, a platform dedicated to the black culture of lusophony, joins the Gulbenkian Foundation to offer new perspectives on activities and artists – a partnership that promotes the diversity of viewpoints and sensibilities of Afro-descendant communities across Portuguese-speaking countries.
The Collective Glossary and the Politics of Institutional Language
The culture that holds the gaze
‘Belas Artes’: Bruno Zhu’s exhibition that turns CAM into a question with no definitive answer
Gustavo Ciríaco takes over the Engawa Space to build a participative and ‘gradual Carnival bloco’
Dismantle to Inhabit: a reading of the CAM Collection based on the ‘Invitation’ section
Home, body and time. Carlos Bunga transforms the ephemeral into a territory of creation
Pocas Pascoal: cinema as a way of challenging oblivion
‘Black Gaze’ comes to CAM to showcase Portuguese cinema viewed from a different place
‘I translate human tragedy into poetic images, sometimes chilling and terrifying.’ Grada Kilomba’s subversive and unique art
Afrofuturism, resistance, and identity: the musical journey of XEXA
Damara Inglês: The Designer Building Plural Digital Futures
Tristany Mundu on Julianknxx: ‘But I feel that he [Julian] wants to work on a common heritage and a European diasporic experience.’
Will we ever be able to rest?
Tristany Mundu: ‘I am not a periphery, I am a city around another city.’
Zia Soares and the ocean-crossing seeds: a conversation about ‘ARUS FEMIA’
‘Tide of stories’ challenges children to reinterpret art with Tristany and Ondjaki
Black Lisbon under the sun. ‘We’re more than the narratives imposed on us.’
‘City around the City’, Tristany’s ‘Mundu’ [world] and art as a means of transformation
Piny: ‘The idea of inclusion comes from a place of hierarchy’
