Transatlântico - Artistic creation and deconstructing ageism
Isto é PARTIS & Art for Change 2023
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Date
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Location
Auditorium 3 Calouste Gulbenkian FoundationInterpretation in Portuguese Sign Language.
Conversation and documentary in Portuguese.
We will watch a video that chronicles the phenomenal creation and presentation of this play and then talk, in a conversation between the participants and the audience, about the remarkable aspects of this experience that applauds older people and highlights their transformative potential in our society and culture.
In 2022, Companhia Maior worked under the direction of Ricardo Neves-Neves in a new creation based on Christopher Durang’s text about a ship, cruising across the Atlantic Ocean. Neves-Neves extolls the brilliance of a hilarious plot where life stories, frustrated ambitions, adventure and foolhardiness, multiple personalities, resentment and love intersect. Durang’s satire, which challenges taboos of sexuality and fidelity in American society in the 1970s, is spiritedly and boldly reinterpreted by the voice and body of the company’s actors half a century later, when the issue is already debated on social media by younger generations but still unsettles moral demands. Several interns from Teatro do Elétrico and young musicians also went on this intense journey, in a musical exploration that provides a festive and captivating tone and a rare opportunity for two very different generations to engage and share the same stage.
The video is followed by a conversation about “artistic creation and deconstructing ageism” with Paula Varanda, Ricardo Neves-Neves, Maria José Baiao, Carlos Nery and Luisa Veloso.
Duration 60 min. Documentary 20 min and Conversation 40 min (approximately).
Photo © Bruno Simão
Editing
João Pinto
Video and photography
João Pinto
São Luiz Team
Speakers
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Paula Varanda
Paula Varanda holds a doctorate in artistic studies and humanities from the Middlesex University of London and graduated from Escola Superior de Dança in Lisbon. Since 2019, she has been an integrated researcher at the Lisbon Art History Institute (IHA_FCSH/UNL) and a visiting professor of the Master’s degree programme in Performing Arts at the same university. She has coordinated several artistic projects, taught at various institutions and has published work in the field of dance, education, new technologies and culture. Most noteworthy is the twelve-year collaboration with the Público newspaper, in which she published 70 dance reviews (Caleidoscópio 2020), and her book entitled Dançar é Crescer – Aldara Bizarro e o Projecto Respira(Caleidoscópio 2012). Between 2008 and 2015, Paula was artistic director of the Dansul project – dance for the community in the southeast Alentejo Region – based in Mértola and developed in partnership with local authorities, schools and other local entities. She was Director-General of Arts at the Ministry of Culture between 2016 and 2018. Paula has been Director of Companhia Maior since October 2020.
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Ricardo Neves-Neves
Ricardo Neves-Neves holds a degree in Theatre-Actors from Escola Superior de Teatro e Cinema and specialised in Theatre Studies at the Lisbon Faculty of Arts (FLUL). He participates in Obrador d’Estiu-Dramaturgy (Barcelona), a workshop run by Simon Stephens. He has published works in Cotovia/Snob/Artistas Unidos, TNDMII, Companhia das Ilhas. Ricardo is author and co-director of Floating Island with Cheng-Ting Chen and Yi-Ting Hung, a co-production by Theatre de la Ville (Paris, France) and Taipei Arts Festival (Taipei, Taiwan). He has also collaborated with Teatro Nacional de São Carlos, Artistas Unidos, Teatro da Terra, Primeiros Sintomas, Temporada Darcos, Força de Produção, Teatro da Trindade, Teatroesfera, Teatro Meridional, Centro de Estudos de Teatro, Casa Conveniente, Teatro dos Aloés, Comédias do Minho, Revista Gerador, Cassefaz, Teatro O Bando, and Procur.Arte. Ricardo is the founder and artistic director of Teatro do Elétrico, where he writes and stages plays.
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Maria José Baião
Maria José Baião graduated in Romanesque Philology from Universidade Clássica de Lisboa and holds a Master’s in Advanced Theatre Studies. She attended the University of Barcelona (on a State grant) and the University of Geneva. Maria also completed the National Theatre Conservatory course. She has extensive professional experience in Radio (presenter, radio theatre, journalist, director at RDP-Antena 1; R.R.; R. C. Mozambique); RTP (LxA and Madeira: presenter, actress, voice-off); and on stage, having joined the companies of Teatro Monumental, Teatro Estúdio de Lisboa (TEL), Teatro Ibérico, ACARTE, Teatro Politeama, P.Palco de Lisboa; Teatro do Vestido, among others. She was a teacher in Portuguese and French secondary education and at Universidade Ásia Oriental (today University of Macau), where she was a voice coach and Portuguese teacher. In the last nine years of Portuguese governance, in Macau, Maria served as Cultural Adviser. She has been part of Companhia Maior since 2014.
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Carlos Nery
Carlos Nery was part of Teatro Experimental do Porto (TEP), where he was directed by Antonio Pedro, and CITAC, where he participated as an actor in several plays under the direction of Luis Lima. In 1963, at Guilherme Cossoul, he played Gus, a character of O Monta-cargas, in the début of a play by Harold Pinter in Portugal. His first staging experience was in Guinea, during the war (A Cantora Careca, by Ionesco). He later become director of Primeiro Acto, where he again staged A Cantora Careca and the play Woyzeck, by Büchner. He staged, at Sindicato dos Bancários, The Exception and the Rule, by Bertold Brecht. At Cornucópia he participated as an actor, in Casimiro and Carolina, by Orvath, and in the reprise of AhQ, by Jourdheuil. Carlos has been part of Companhia Maior since its inception.
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Luísa Veloso
Luísa Veloso, sociologist. She is an associate professor at University Institute of Lisbon (ISCTE) and researcher at CIES – University Institute of Lisbon. She is also associate researcher of the Institute of Sociology of the University of Porto. She was professor of the University of Porto’s Faculty of Arts Sociology Department, between 1991 and 2008. Luísa has been coordinator and member of research teams on various national and international projects, and has authored several publications. Her main research interests are work, innovation, science and technology, economics and occupations. Luísa is currently Director of the Department of Sociology of ISCTE’s School of Sociology and Public Policy.
Supported by
An initiative by
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