Screening of short films

Advance Training Course in Film and Television Directing

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Date

  • 16:00 / Cancelled 16:00 / Sold out Saturday, 16:00
  • 16:00 / Cancelled 16:00 / Sold out Sunday, 16:00

Location

Studio Centro de Arte Moderna Gulbenkian
During these sessions, CAM's Studio will host seven short films which resulted from the advanced training course in Film and Television Directing, promoted in Porto by the Gulbenkian Foundation and the School of Arts of the Portuguese Catholic University in 2022.

Aimed at eight professionals or emerging directors, the course offered a programme of artistic creation which culminated in the making of eight short films that have been circulating at the main film festivals.

For several weeks, the selected directors had the opportunity to make contact with internationally recognised directors and artists (Céline Sciamma, Lucrecia Martel, Atom Egoyan, João Rui Guerra da Mata e Mariana Gaivão), as well as technicians and creatives with relevant work in the fields of cinema and television (Pedro Lopes, Nuno Artur Silva, Luís Urbano e Rui Poças, Graça Castanheira e Teresa Paixão). The films were mentored by Marco Martins and João Canijo.

These working sessions resulted in eight short films, which are now being presented at the CAM Studio.


Biographies


Programme

Maria Henriqueta Esteve Aqui, by Nuno Pimentel

Portugal, 2023, Doc., 13:40, M/12
1872. The Emperor of Brazil, Pedro II, travels to the city of Porto, and stays at the Grand Hotel du Louvre, property of Maria Henriqueta de Mello Lemos e Alvelos.
In the present day, the attempt to make a film about this episode becomes an invocation. Maria Henriqueta is with us. Memories, sounds and sensations take over the screen, and help build an emotional geography of our invisible protagonist.
This is a phantasmagoria of the senses. A good haunting.

Felicidade numa Panela, by Clara Jost

Portugal, 2023, Doc., 19:14, M/12
While cooking, Yaxuan notices that her pot makes a peculiar sound. That sound will generate a wandering around food rituals, which appear as a bridge between past and present.

Cleópatra & António, by Diego Bragà

Portugal, 2023, Fiction, 20:38, M/18
War. Cleopatra and António lock themselves in the mausoleum while Brazil is recolonised. The word colonisation comes to life and nature reacts to the destruction of the Earth from the desire for immortality. On the verge of his death, António asks for a 'lullaby'. In a funeral mating dance, two historical and tyrannical characters dream, in the midst of war, of a non-binary policy of Love. In this de-colonial and queer rewriting of Shakespeare's tragic play, Egypt is Brazil and Rome is Portugal.

Crua+Porosa, by Ágata Pinho

Portugal, 2025, Fiction, 20:00, M/16
Evoking the human, the organic and the extraordinary, Crua+Porosa is a story of obsessive love and a surreal entropy of surroundings between two people who give themselves over to absolute desire.

The Illusion Of An Everlasting Kiss, by Marta Sousa Ribeiro

Portugal, 2023, Fiction, 15:56, M/12
A November day in Porto, in a square where skaters jump up a flight of stairs. Three characters share a moment with each other, which visually divides into three subjective shots and which, without dialogue, are intended to characterize them emotionally. Faced with the impossibility of accessing the subjectivity of the other, the idea of shared love is called into question.

Chuvas de Verão, by Mário Veloso

Portugal, 2023, Fiction, 15:00, M/12
Interrupting the silence, punctuated by the late summer rain, a group of boys shapers the matriarchal memory of an old bedroom. In the face of impending danger, the older boys vie for leadership. As the afternoon stretches on with the intensity of the rain and the heat inside rises, they resort to violence. In the vulnerability of a wounded body, Chico, the young misfit, encounters a tragic portent of desire.

Gardunha, by Ana Vilela Costa

Portugal, 2023, Fiction, 17:42, M/12
M. is an electronic music artist. She seeks refuge in a rural area after a personal event we are not aware of. The contrast between the surrounding space and M. is evident. She is a profoundly urban person in a profoundly rural space. The short film shows less than 48 hours of M’s life. As she goes deep into the wild, M. finds herself confronted with an unexpected reality, phenomena that her rational mind cannot understand, gloomy and inexplicable sounds and close encounters.
What starts as a run ends up as a transcendental trip where her vision of the world is put into question, culminating in an encounter with other worlds.

Pedra Seca, by Luísa Mello

Portugal, 2023, Fiction, 24:43, M/12
A 60-year-old woman, hypersensitive to electromagnetic waves, lives isolated in the countryside. Her life changes when a 30-year-old girl, drifter, decides to occupy the only house nearby. A closer relationship develops while a stone wall is built between the houses. Pedra Seca is a film with few words about human connection, the different walls we build within ourselves and the outside world. In the confrontation with loneliness, with the strangeness of the other, the possibility of the connection arises.

Credits

Image

Still from the film António & Cleópatra, by Diego Bragà

Partnership

The Calouste Gulbenkian Foundation reserves the right to collect and keep records of images, sounds and voice for the diffusion and preservation of the memory of its cultural and artistic activity. For further information, please contact us through the Information Request form.

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