André Cabral (1990, Barreiro) began studying urban dance under the guidance of Vasco Alves. He attended the Portuguese Higher School of Dance (ESD) and did an internship at the Portuguese Contemporary Ballet company, under the direction of Vasco Wellenkamp. He has worked with António Pires, André Mesquita, Clara Andermatt, Rui Horta, Paulo Ribeiro, Marco da Silva Ferreira, Antonio Tagliarini, Miguel Moreira and Victor Hugo Pontes.

Norman Dixon (1926, England – 2020, Croatia) was a dancer, teacher, choreographer and artistic director. In Portugal, he performed for the first time at the end of the 1950s with Margarida de Abreu's Círculo de Iniciação Coreográfica, for which he also choreographed. In 1960, he founded the Ballet Venture in England, for which he choreographed Ritmo Violento. He was a ballet master of the Experimental Ballet Group of the Portuguese Ballet Centre between 1961 and 1963, for which he choreographed several pieces. In 1963, he founded Ballet-Teatro with Águeda Sena.

Daniel Tércio (1954, Aveiro) studied Philosophy, Plastic Arts and History of Art in Lisbon. He has a PhD in Dance from the Faculty of Human Kinetics (FMH), where he taught Dance History, Aesthetics, Movement and Visual Arts. Until 2021, he was a member of the board of the Ethnomusicology Institut, a centre for studies in music and dance. He has published, among other works, Dança e Azulejaria no Teatro do Mundo (1999) and Dançar para a República (2010). Internationally, he is the author of articles such as "Martyrium as Performance" (Performance Research, 15 (1) 2010). As a critic, he has collaborated regularly with the written press since 2004.