The Voice of Inconstant Savage, by Yasuhiro Morinaga

Event Slider

The Voice of Inconstant Savage is a sound installation commissioned to Yasuhiro Morinaga, that constructs narratives through recitation and addressing auditory culture of the Japanese, the Amazon indigenous peoples, and the Portuguese.

The work, commissioned to Yasuhiro Morinaga (b. 1980) for CAM’s Engawa – A Season of Contemporary Art from Japan, juxtaposes a recitation based on a Portuguese missionary report in the 16th century, a chant of the ‘Kakure-Kirishitan’s Oratio’ from the Nagasaki Prefecture, a singing of the Karawara spirits of the indigenous Awá people living in the Amazon rainforest, and a chorus of Western Gregorian chant.

While confronting the physical act of ‘waiting’ and mental act of ‘inconsitancy’, Morinaga constructs narratives through recitation and addressing auditory culture of the Japanese, the Amazon indigenous peoples, and the Portuguese, a sonic tornado takes form and undulates through time and space with Mother Earth.

Yasuhiro Morinaga is a sound artist and sound designer based in Lisbon, who has developed an interest in conducting ethnographic fieldwork intersecting sound/music and anthropology. As an artist, he has created media installations and theatrical performances featuring an auditory culture, encompassing listeners and encouraging them to experience and gain awareness of the sounds that tend to be unnoticed.

Engawa – A Season of Contemporary Art from Japan

‘Engawa’ is a programming that brings to Lisbon a set of creators from Japan and the Japanese diaspora, many of them for the first time in Portugal. More info


Biographies


Credits

Curatorship

Emmanuelle de Montgazon

Rita Fabiana

Direction

Yasuhiro Morinaga

Writers

Yasuhiro Morinaga
Sachiko Tanaka

Voices

A Woman – Kom-I
A Man – José Luís de Oliveira

Oratio Recitation

Kakure-Kirishitans of Ikitsuki Island, Nagasaki, Japan
Karawara Song – Awá Guajá of Juriti, Awá, Tiracambu Indigenous Land, Brazil
Gregorian Chant – Gulbenkian Choir (Portugal)

Immersive sound spatialisation

Tecy Hirai
Minne-Chang

Foley

Hajime Takagi
Hiroshi Sembon

Voice Recording

Tiago Jónatas

Exhibition Designer

Keita Sato (satereo)

Technical and Lighting Direction

João Hora
Pedro Costa
João Alves

Production Management

Matilde Neves 

Translation

Old Japanese – Emi Kishimoto
Nagasaki Dialect – Keiko Maeda
Hirado Dialect – Noriko Okutsu
Latin and Portuguese – Gonçalo Fernandes
Portuguese – Yumi Shimizu and Bebio Amaro

Graphic Image

Masatoshi Tabuchi 

Production Supports

Genelec Japan
Ikitsuki-cho Municipal Museum Shima no Yakata (Nagasaki)
Associação Arari (Brazil)
Embaixada de Portugal no Japão (Japan)
Trixta
CIEBA – Centro de Investigação e de Estudos em Belas-Artes 

Supervisor

António de Sousa Dias (Faculdade de Belas-Artes da Universidade de Lisboa)

Special thanks

Uirá Garcia
Marina Magalhães
Bas Valckx
Masaru Ito
Shohei Kato
Hiroki Kobayashi
Jeannine Cantarelli
Yoshiharu Okayama 

Producers

Yoshie Ota
Ryohei Tsutsui

Support

The Calouste Gulbenkian Foundation reserves the right to collect and keep records of images, sounds and voice for the diffusion and preservation of the memory of its cultural and artistic activity. For further information, please contact us through the Information Request form.

Cookies settings

Cookies Selection

This website uses cookies to improve your browsing experience, security, and its website performance. We may also use cookies to share information on social media and to display messages and advertisements personalised to your interests, both on our website and in others.