The Voice of Inconstant Savage, by Yasuhiro Morinaga
Event Slider
Date
- Sat,
- Closed on Tuesday
Location
Sound Room Centro de Arte Moderna GulbenkianPricing
- Free admission
The work, commissioned to Yasuhiro Morinaga (b. 1980) for CAM’s Engawa – A Season of Contemporary Art from Japan, juxtaposes a recitation based on a Portuguese missionary report in the 16th century, a chant of the ‘Kakure-Kirishitan’s Oratio’ from the Nagasaki Prefecture, a singing of the Karawara spirits of the indigenous Awá people living in the Amazon rainforest, and a chorus of Western Gregorian chant.
While confronting the physical act of ‘waiting’ and mental act of ‘inconsitancy’, Morinaga constructs narratives through recitation and addressing auditory culture of the Japanese, the Amazon indigenous peoples, and the Portuguese, a sonic tornado takes form and undulates through time and space with Mother Earth.
Yasuhiro Morinaga is a sound artist and sound designer based in Lisbon, who has developed an interest in conducting ethnographic fieldwork intersecting sound/music and anthropology. As an artist, he has created media installations and theatrical performances featuring an auditory culture, encompassing listeners and encouraging them to experience and gain awareness of the sounds that tend to be unnoticed.
Engawa – A Season of Contemporary Art from Japan
‘Engawa’ is a programming that brings to Lisbon a set of creators from Japan and the Japanese diaspora, many of them for the first time in Portugal. More info
Biographies
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Yasuhiro Morinaga
Yasuhiro Morinaga (b. Japan, 1980) is a sound artist and sound designer based in Lisbon, who has developed an interest in conducting ethnographic fieldwork intersecting sound/music and anthropology. As an artist, he has created media installations and theatrical performances featuring an auditory culture, encompassing listeners and encouraging them to experience and gain awareness of the sounds that tend to be unnoticed. His work has been commissioned by festivals and organizations such as the Japan Foundation, Asian Cultural Council, Nippon Foundation and WIRED Japan.
Credits
Curatorship
Emmanuelle de Montgazon
Rita Fabiana
Direction
Yasuhiro Morinaga
Writers
Yasuhiro Morinaga
Sachiko Tanaka
Voices
A Woman – Kom-I
A Man – José Luís de Oliveira
Oratio Recitation
Kakure-Kirishitans of Ikitsuki Island, Nagasaki, Japan
Karawara Song – Awá Guajá of Juriti, Awá, Tiracambu Indigenous Land, Brazil
Gregorian Chant – Gulbenkian Choir (Portugal)
Immersive sound spatialisation
Tecy Hirai
Minne-Chang
Foley
Hajime Takagi
Hiroshi Sembon
Voice Recording
Tiago Jónatas
Exhibition Designer
Keita Sato (satereo)
Technical and Lighting Direction
João Hora
Pedro Costa
João Alves
Production Management
Matilde Neves
Translation
Old Japanese – Emi Kishimoto
Nagasaki Dialect – Keiko Maeda
Hirado Dialect – Noriko Okutsu
Latin and Portuguese – Gonçalo Fernandes
Portuguese – Yumi Shimizu and Bebio Amaro
Graphic Image
Masatoshi Tabuchi
Production Supports
Genelec Japan
Ikitsuki-cho Municipal Museum Shima no Yakata (Nagasaki)
Associação Arari (Brazil)
Embaixada de Portugal no Japão (Japan)
Trixta
CIEBA – Centro de Investigação e de Estudos em Belas-Artes
Supervisor
António de Sousa Dias (Faculdade de Belas-Artes da Universidade de Lisboa)
Special thanks
Uirá Garcia
Marina Magalhães
Bas Valckx
Masaru Ito
Shohei Kato
Hiroki Kobayashi
Jeannine Cantarelli
Yoshiharu Okayama
Producers
Yoshie Ota
Ryohei Tsutsui
Support
The Calouste Gulbenkian Foundation reserves the right to collect and keep records of images, sounds and voice for the diffusion and preservation of the memory of its cultural and artistic activity. For further information, please contact us through the Information Request form.