Met Opera in HD

Event Slider




Grand Auditorium Calouste Gulbenkian Foundation

18:00 – Act I

19:12 – Intermission (33 min.)

19:45 – Acts II and II

21:00 – Ending

Deferred broadcast from January 29.


New York Metropolitan Opera Orchestra
Daniele Rustioni Conductor
Bartlett Sher Production
Michael Yeargan Set Designer
Catherine Zuber Costume Designer
Donald Holder Lighting Designer

Rosa Feola Soprano
Varduhi Abrahamyan Mezzo-Soprano
Piotr Beczała Tenor
Quinn Kelsey Baritone
Andrea Mastroni Bass

In order of vocal appearance:

Piotr Beczała Duke of Mantua
Scott Scully Borsa
Sylvia D’Eramo Countess Ceprano
Quinn Kelsey Rigoletto
Jeongcheol Cha Marullo
Christopher Job Count Ceprano
Craig Colclough Monterone
Andrea Mastroni Sparafucile
Rosa Feola Gilda
Eve Gigliotti Giovanna
Catherine MiEun, A page
Yohan Yi A guard
Varduhi Abrahamyan Maddalena


Giuseppe Verdi (1813 – 1901)
Opera in three acts

Libretto by Francesco Maria Piave, based on the play Le Roi s’Amuse by Victor Hugo.

Act I
Germany, during the era of the Weimar Republic.
At a party in his palace, the Duke of Mantua boasts of his way with women. He dances with the Countess Ceprano, and his hunchbacked jester, Rigoletto, mocks the countess’s enraged but helpless husband. The courtier Marullo bursts in with the latest gossip: Rigoletto is suspected of keeping a young mistress in his home. The jester, unaware of the courtiers’ talk, continues to taunt Ceprano, who plots with the others to punish the duke. Monterone, an elderly nobleman, forces his way into the crowd to denounce the duke for seducing his daughter, and Rigoletto viciously ridicules him. Monterone is arrested and curses Rigoletto. Rigoletto hurries home disturbed by Monterone’s curse. He encounters Sparafucile, a professional assassin, who offers his services. The jester reflects that his own tongue is as sharp as the murderer’s dagger. Rigoletto enters his house and warmly greets his daughter, Gilda. Afraid for the girl’s safety, he warns her nurse, Giovanna, not to let anyone into the house. When the jester leaves, the duke appears and bribes Giovanna, who lets him into the courtyard. He declares his love for Gilda, who has secretly admired him at church, and tells her he is a poor student. After he leaves, she tenderly thinks of her newfound love before going to bed. The courtiers gather outside intending to abduct Rigoletto’s “mistress.” Meeting the jester, they quickly change their story and fool him into wearing a blindfold and holding a ladder; then, they carry off Gilda. Rigoletto, rushing into the house, realizes his daughter is gone and collapses as he remembers Monterone’s curse.

Act II
In his palace, the duke is distraught about the abduction of Gilda. When the courtiers return and tell him the story of how they took the girl from Rigoletto’s house and left her in the duke’s chamber, the duke hurries off to the conquest. Rigoletto enters, looking for Gilda. The courtiers are astonished to find out that she is his daughter rather than his mistress but prevent him from storming into the duke’s chamber. The jester violently accuses them of cruelty, then asks for compassion. Gilda appears and runs in shame to her father, who orders the others to leave. Alone with Rigoletto, Gilda tells him of the duke’s courtship, then of her abduction. When Monterone passes by on his way to execution, the jester swears that both he and the old man will be avenged. Gilda begs her father to forgive the duke.

Rigoletto and Gilda arrive at an inn where Sparafucile and his sister, Maddalena, live. Inside, the duke laughs at the fickleness of women. Gilda and Rigoletto watch through the window as the duke amuses himself with Maddalena. The jester sends Gilda off to Verona disguised as a boy and pays Sparafucile to murder the duke. Gilda returns to overhear Maddalena urge her brother to spare the handsome stranger and kill the hunchback instead. Sparafucile refuses to murder Rigoletto but agrees to kill the next stranger who comes to the inn so that he will be able to produce a dead body. Gilda decides to sacrifice herself for the duke. She knocks at the door and is stabbed. Rigoletto returns to claim the body, which he assumes is the duke’s. As he gloats over the sack Sparafucile has given him, he hears his supposed victim singing in the distance. Frantically tearing open the sack, he finds his daughter, who dies asking his forgiveness. Horrified, Rigoletto remembers Monterone’s curse.

Synopsis reprinted courtesy of The Metropolitan Opera

Main Sponsor Gulbenkian Music

Cookies settings

Cookies Selection

The Calouste Gulbenkian Foundation uses cookies to improve your browsing experience, security, and its website performance. The Foundation may also use cookies to share information on social media and to display messages and advertisements personalised to your interests, both on our website and in others.