La Mer
Gulbenkian Orchestra
Event Slider
Date
- / Cancelled / Sold out
Location
Grand Auditorium Calouste Gulbenkian FoundationPricing
25% – Under 30
10% – Over 65
Cartão Gulbenkian:
50% – Under 30
15% – Over 65
- Conductor
- Violin
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Gulbenkian Orchestra
In 1962, the Calouste Gulbenkian Foundation decided to establish a permanent orchestral ensemble. Originally with only twelve musicians (strings and continuo) it was named “Orquestra de Câmara Gulbenkian”. This collective was successively enlarged and today the “Orquestra Gulbenkian” (the name it has adopted since 1971) has a permanent body of sixty instrumentalists, a number that can be expanded depending on the repertoire.
This structure allows the Gulbenkian Orchestra to interpret works from the Baroque and Classical periods, a significant part of 19th century orchestral literature and much of the music of the 20th century, including works belonging to the current repertoire of the traditional symphonic orchestras. In each season, the orchestra performs on a regular series of concerts at the Gulbenkian Grand Auditorium in Lisbon, where it has had the opportunity of working together with some of leading names of the world of music (conductors and soloists). It has also performed on numerous locations all over Portugal, in an effort to decentralize music and culture.
The orchestra has been constantly expanding its activities in the international level, performing in Europe, Asia Africa, and the Americas. In the recording field, Orquestra Gulbenkian is associated to labels as Philips, Deutsche Grammophon, Hyperion, Teldec, Erato, Adès, Nimbus, Lyrinx, Naïve and Pentatone, among others, and this activity was recognized with several international prizes.
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Hannu Lintu
Music Director
“Dynamic and sharp on the podium” (Bachtrack) and with a “scrupulous ear for instrumental color and blend” (Washington Post), Hannu Lintu maintains his reputation as one of the world’s finest conductors. This season, Lintu continues his tenures as Music Director of Orquestra Gulbenkian and Chief Conductor of Finnish National Opera and Ballet, proving himself a master of both symphonic and operatic repertoire. The appointments followed a stream of successful concerts with Orquestra Gulbenkian and breathtaking productions with Finnish National Opera and Ballet. The 2023/24 season also saw his announcement as Artistic Partner of Lahti Symphony Orchestra from Autumn 2025.
Highlights of the 2024/25 season include his debut at Bregenzer Festspiele conducting Oedipe and returns to Chicago Symphony, BBC Symphony, Finnish Radio Symphony, London Philharmonic, St Louis Symphony and Oregon Symphony.
Symphonic highlights of recent years have seen Lintu conduct the New York Philharmonic (including an immediate re-invitation from the orchestra to perform at Bravo! Vail Festival), Berliner Philharmoniker, Cleveland Orchestra, Bavarian Radio Symphony Orchestra, Orchestre National de Radio France, Boston Symphony Orchestra, Swedish Radio Symphony Orchestra, Deutsches Symphonie-Orchester Berlin, Radio Filharmonisch Orkest, Atlanta Symphony Orchestra, Konzerthaus Berlin, Orchestre de Chambre de Lausanne and Orchestre Symphonique de Montréal, alongside the likes of Gil Shaham, Kirill Gerstein, Daniil Trifonov and Sergei Babayan.
As an expert in both operatic as well as symphonic repertoire, Lintu’s recent opera highlights have included Wagner’s Der fliegende Holländer at Opera de Paris and Debussy’s Pelléas et Mélisande at Bayerische Staatsoper as a guest conductor, as well as multiple productions at Finnish National Opera and Ballet, including a recent multi-season Ring Cycle, Poulenc’s Dialogues des Carmélites, Mozart’s Don Giovanni, a choregraphed reimagining of Verdi’s Messa da Requiem, Puccini’s Turandot, Richard Strauss’ Salome, and Britten’s Billy Budd.
Lintu studied cello and piano at the Sibelius Academy, where he also later studied conducting with Jorma Panula. He participated in masterclasses with Myung-Whun Chung at L’Accademia Musicale Chigiana in Siena, Italy, and took first prize at the Nordic Conducting Competition in Bergen in 1994.
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Inmo Yang
Violin
Korean violinist Inmo Yang is the first prize winner of the 2022 Jean Sibelius Violin Competition. He was also awarded a prize for the best performance of the commissioned work written by Magnus Lindberg. Sakari Oramo- the chair of the jurycommented: “The winner was overwhelming. There is so much great about Inmo’s playing, both musically and violinistically. There is never anything extra involved in changing the spring, which produces singing and ease”
In March 2015, Inmo won the 54th International Violin Competition “Premio Paganini” in Genoa, Italy, marking the first time since 2006 that the Paganini Competition jury awarded First Prize. Fabio Luisi, the chair of the jury at the time, commented: “Inmo is an intuitive musician. His Paganini is captivating and exquisite.” He also garnered the following special prizes: youngest finalist, best performance of the contemporary original piece, performance most appreciated by the audience, and a special recital in Genoa using Paganini’s own Guarneri Del Gesu violin.
Inmo made his Carnegie Hall debut at the Weill Recital Hall as a winner of the Concert Artists Guild competition, and went on to receive invitations to the Boston Symphony Hall, the Kravis Center for the Performing Arts, the Ravinia Music Festival and the Marlboro Music Festival.
Inmo has performed with many renowned conductors such as Marin Alsop, Myungwhun Chung, James Gaffigan, Neeme Järvi, Fabio Luisi, Sakari Oramo, David Robertson, John Storgårds, and Osmo Vänskä. His concerto appearances include Helsinki Philharmonic Orchestra, Finnish Radio Symphony Orchestra, Orchestre National de France, Chicago Symphony Orchestra, Lucerne Symphony Orchestra, Zurich Philharmonic Orchestra, Danish National Symphony Orchestra, BBC Symphony Orchestra, and Seoul Philharmonic Orchestra. He opens 2324 season with Orchestre de la Suisse Romande in Geneve-Plage Festival and Philharmonia Orchestra in Mikkeli Music Festival, followed by tour in Korea with Hong Kong Philharmonic Orchestra, and several debuts including Gulbenkian Orchestra, Stavanger Symphony Orchestra, BBC NOW, and Auckland Philharmonia Orchestra.
In 2021, Inmo released his second Deutsche Grammophon album [The Genetics of Strings]. His debut album - 24 Caprices by N. Paganini - was recorded live as part of the Kumho Art Hall residency and released under the same label in 2019.
Inmo studied with Namyoon Kim at Korea National University of Arts, Miriam Fried at the New England Conservatory of Music in Boston, and Antje Weithaas at Hochschule für Musik “Hanns Eisler” in Berlin. He is now studying at Kronberg Academy with Antje Weithaas. Inmo is playing on a violin by G. B. Guadagnini of Turin kindly loaned by Jane Ng through J & A Beare and the Beare’s International Violin Society for The International Jean Sibelius Violin Competition.
Kaija Saariaho
Ciel d’hiver
Jean Sibelius
Violin Concerto in D minor, op. 47
— Intermission 20 min —
Olivier Messiaen
Le Tombeau resplendissant
Claude Debussy
La mer
The new Music Director of the Gulbenkian Orchestra – with “a scrupulous ear for colour and instrumental harmony”, according to the Washington Post – has long developed a fruitful relationship with Sibelius’ music. In this programme, Hannu Lintu will conduct the Concerto for Violin and Orchestra, in D minor, by the Finnish composer, counting on the brilliance of the violinist Inmo Yang. Awarded on multiple occasions, Yang was the latest winner of the Jean Sibelius Violin Competition. At the time, the jury called his performance “overwhelming”, highlighting the enormous musicality of a performer who expands the possibilities of the instrument.
Sponsor Gulbenkian Music
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