The film opens with the image of a dark space where a body lights up, moving as if in a trance in an almost animalistic way.  This prelude is followed by an image of two women in conversation in an open, light modernist space. The tone of the conversation and their body language at first seem mundane, but slowly a somewhat alienating feeling arises that these bodies harbor other voices.

Scattered in the room are objects, masks and vases.  The camera observes the women in a (partly) circular movement, as if trying to encompass the source of the voices – the bodies.  This circular movement is interrupted several times, shifting to objects in the space or nature outside.  The montage of close up images and sounds of the objects, architecture and nature breaks up the routine appearance of the two conversing women and opens a surreal space of memories and sensorial contrasts.

Interweaving documentary realism and associative images that open up an unconscious or obscure space, the heterogeneity of the form transforms and deconstructs voices, bodies and objects, thus underscoring the fundamental theme of de-identification.