In the exhibition Belas Artes, the artist Bruno Zhu reflects on power discourses related to museum practice, presenting a dispositif that examines collecting, modes of display, and the role of museums as agents in the production of artistic value.

The exhibition unfolds across four interconnected spaces, entirely distinct from one another, three of which present a selection of works from the CAM Collection.

The exhibition is part of a CAM programming strand dedicated to activating its Collection, inviting artists to engage with it and to create new interpretations.