“Always Higher”: the creativity of Maria Lamas
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Auditorium 2 Calouste Gulbenkian FoundationThe event will be livestreamed on this page.
On March 8, International Women’s Day, the Calouste Gulbenkian Foundation is holding the Conference Always Higher: the creativity of Maria Lamas, an event associated with the exhibition The women of Maria Lamas, dedicated to her photographic work. This exhibition is curated by Jorge Calado and shows, for the first time in Portugal, a set of photographs that Maria Lamas took for her book The women of my Country (1948-1950).
In the words of Jorge Calado, “Maria Lamas (1893-1983), journalist and writer, educator and researcher, translator and photographer, fighter for human and civil rights in times of dictatorship, was perhaps the most remarkable Portuguese woman of the 20th century. While there is a certain memory of her political affirmation and action during the Estado Novo (1930-1960, which led to her imprisonment in 1949, 1950–1951 and 1953) and her exile in Paris (1962-1969), her literary and journalistic work is practically forgotten. Very few of her books – more than twenty works including poetry, fiction, children’s literature, social anthropology and translation – are available on the market.”
With a title based on the motto of Maria Lamas’ ex-libris – Always higher – this conference will feature contributions from various researchers in some of the areas in which Maria Lamas worked throughout her life.
In the morning, the emphasis will be on the dimension of the photographic work, with approaches that also include a contemporary testimony of photographic practice and an evocation of an artist who, like Maria Lamas, was a victim of the persecution of the Estado Novo. In the afternoon, the papers will focus on the journalistic and literary dimensions and the struggles in favour of civil and women’s rights in which Maria Lamas was involved throughout her life.
The talk will be followed by a screening of the film Mulheres do meu país (2020), directed by Raquel Freire, and a conversation with the director and the person responsible for editing the film.
Speakers
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Alexandre Pomar
Lisboa, 1947
Journalist and art critic. Between 1982 and 2007, he published articles on the visual arts, photography, and cultural politics in the weekly “Expresso”. He has written about Maria Lamas’ photographs since 2008 (“O neo-realismo na fotografia portuguesa, 1945 – 1963”, “Centenário da CUF do Barreiro”, ed. 2010, Universidade Autónoma). In 2023 he published “Júlio Pomar. After neo-realism”.
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Eugénia Vasques
Coimbra, 1948
Emeritus professor, playwright, translator, essayist, and critic. She has published, among others: “Jorge de Sena: Uma Ideia de Teatro 1938-71”, “Mulheres que Escreveram Teatro no Século XX em Portugal”, “Para a História da Encenação em Portugal”, “A Escola de Teatro do Conservatório (1836-1911)”, coord. “Teatro de Revista em Portugal: Peças “Perdidas” e Outras: 1851-1869″. She is a member of the editorial board of the journal “Faces de Eva: Estudos sobre as Mulheres” and an A3ES expert.
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Helena Neves
Lisboa, 1945
A journalist, writer, and researcher, she was at the origin of the Women’s Democratic Movement (MDM). An activist against the Estado Novo, she was imprisoned by PIDE and prevented from teaching. She was a candidate for the Democratic Opposition (1973) and MDM’s representative on the Consultative Council of the Commission on the Status of Women. She was the director of “Revista Mulheres” after the death of Maria Lamas (1983-1991) and wrote the texts for the books “Raízes da nossa Força” and “Mulheres de um tempo ainda presente”, which were arrested by PIDE/DGS.
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Joana Pereira Bastos
Lisboa, 1980
The great-granddaughter of Maria Lamas, she grew up hearing the stories of her life recounted and it was because of this that she wanted to become a journalist. With a degree in Communication Sciences from FCSH/NOVA, she began her career at PÚBLICO newspaper, worked for Agência Lusa and has been on the editorial staff of “Expresso” since 2009. Ten years ago, she published the book “Os Últimos Presos do Estado Novo” (The Last Prisoners of the Estado Novo), which has now been reissued. In 2022, she awarded the Gazeta Press Prize.
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Jorge Calado
Lisboa, 1938
He has a degree in chemical engineering from IST and a PhD in physical chemistry from Oxford University. Professor emeritus at IST, and assistant professor of chemical engineering at Cornell University, where he taught the course ‘The Art of Science’. University of Lisbon Prize, 2016. Cultural critic for “Expresso” since 1986. Curator of around 40 photography exhibitions in Portugal, France, Belgium, the UK and the USA. Created the international photography collection “The Human Family” for the Museum of Neo-Realism, 2019-present. Author of “Haja Luz!” (A History of Chemistry Through Everything, 4th ed., 2023), “Limits of Science” (2nd ed., 2020) and “Mocidade Portuguesa” (3rd ed., 2023), awarded the D. Diniz Prize in 2022.
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Luísa Ferreira
Lisboa, 1961
Freelance photographer with a master’s degree in design and visual culture from ESD/IADE-U (Lisbon, 2011). She began photographing in the 1980s. She was part of the founding team of PÚBLICO (1989) and worked for the Associated Press (1986-1998). She was awarded the 2019 Authors Prize, Best Photography Work for the exhibition “Branco” (2018). Her latest book is “A Ciência Cura” (2020). She is preparing his PhD at FCSH/NOVA. The city and its inhabitants are central themes of her work.
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Raquel Freire
Porto, 1973
She is a director, screenwriter, writer, producer, and mother. Her films (“Rio Vermelho”, “Rasganço”, “Esta é a Minha Cara”, “Veneno Cura”, “Dreamocracy”) have premiered at international film festivals such as Venice, Turin, São Paulo, Montreal, Leeds, Clermont-Ferrand, Porto PosDoc and in cinemas. She directed and produced the trilogy “Stories of the Women of My Country”, which aired on RTP1. She directed and produced the film Women of My Country. She is currently directing the film and series “Women of April”.
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Raquel Henriques da Silva
Cascais, 1952
Emeritus Professor at the Faculty of Social Sciences and Humanities of Universidade Nova de Lisboa, Department of History of Art. Author of research and publicity studies in the areas of urbanism and architecture (19th-20th century), visual arts and museology. Curator of art exhibitions. She was director of the Chiado Museum (1994-97) and of the Portuguese Institute of Museums (1997-2002).
Programme
10:00 / Opening session
10:15 / Maria Lamas photographer
12:30 / Debate
14:30 / Maria Lamas, a life of writing and causes
16:00 / Debate
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