This title suggests the creative process of an artist who has consistently explored how narratives are constructed, with the moving image as a central element, reshaping cinematic narrative in real time. She uses its constituent elements – celluloid, projectors, light, and sound – to literally create a fictional space within the physicality of the gallery.

Her work thus questions the increasingly blurred boundary between what is real and what we consider fiction, and it could be said that she is drawing a new vocabulary of perception.

In this new project, the artist was given “carte blanche” to intervene in the Nave space and to select works from the CAM Collection.