Coro e Orquestra Gulbenkian
50% – Menores de 30 anos
15% – Maiores de 65 anos
Stanislav Kochanovsky’s refined artistic personality led him to be considered one of the brightest conductors of nowadays. In these recent years he has successfully debuted with, among others, the Royal Concertgebouw Orchestra, the Wiener Symphoniker, the Israel Philharmonic, collaborating with soloists such as L. Kavakos, M. Pletnev, M. Vengerov, D. Matsuev, A. Volodin, K. Gerstein, S. Khachatryan, V. Frang, T. Mork, P. Ferrandez, M. Goerne. In the 2022/23 season he will also make his debut in the USA conducting the National Symphony Orchestra in Washington and the Cleveland Orchestra.
With his in-depth knowledge and experience of a wide range of symphonic and operatic repertoire, he is regularly invited by renowned orchestras and opera houses around the world such as the Orchestre de Paris, the Accademia Nazionale di Santa Cecilia, the Philharmonia Orchestra of London, the Rotterdam Philharmonic, the Netherlands Radio Philharmonic, the Oslo Philharmonic, the Danish National Symphony, the NDR Elbphilharmonie and Radio Philharmonie, the Dresden Philharmonie, the Netherlands Philharmonic, the Orchestre Philharmonique de Monte-Carlo, as well as the main Russian orchestras such as the St. Petersburg Philharmonic, Russian National Orchestra, National Philharmonic Orchestra of Russia and the Moscow Philharmonic Orchestra.
With more than thirty operas in his repertoire, recent opera engagements have included The Pique Dame and Eugene Onegin at the Opernhaus Zürich, Iolanta at the Maggio Musicale Fiorentino and Prince Igor at the Dutch National Opera Amsterdam, working with distinguished directors and singers such as D. Tcherniakov, B. Kosky, E. Nikitin, A. Netrebko, I. Abdrazakov, O. Borodina, L. Davidsen, P. Mattei. As a guest conductor, he regularly performs at the Mariinsky Theatre.
Since 2017 Kochanovsky is also guest of the prestigious Verbier Festival where he conducts an opera in concert form every year: from Eugene Onegin in 2017, passing for Rigoletto and a symphonic program with soloists Lucas Debargue and Mikhail Pletnev in 2018, to Die Zauberflöte in 2019 and Hansel and Gretel in 2022.
In addition to the classical repertoire, Kochanovsky has a strong interest in rarely performed works and new compositions. Over the last few seasons, he has conducted rare gems as Ligeti’s Requiem, Scriabin-Nemtin’s Prefatory Action “Mysterium”, Kodály’s Psalmus Hungaricus, Shostakovich’s unfinished opera “The Gamblers”; Myaskovsky’s “Silence”, Weinberg’s Symphony No. 21 “Kaddish”; and works by living composers such as Dean, Fedele, Broström, Tawfiq, Visman, Campogrande, Martinsson, Golijov, Thorvaldsdottir, Tarnopolski, Rääts, Vasks.
Stanislav Kochanovsky attended the Glinka Choir School in his hometown of St. Petersburg before going on to graduate with honours at the Rimsky-Korsakov Conservatoire, where he studied choral conducting, organ, and opera-symphonic conducting.
He is deeply grateful for these formative years in Russia: he was Chief Conductor of the State Safonov Philharmonic Orchestra and in 2007 he started his collaboration with the Mikhailovsky Theatre where, from the age of 25, he was given the great opportunity to conduct more than sixty opera and ballet performances.
Italian bass-baritone Luca Pisaroni has established himself as one of the most charismatic and versatile singers performing today. Since his debut at age 26 with the Vienna Philharmonic at the Salzburg Festival, led by Nikolaus Harnoncourt, Pisaroni has continued to appear at the world’s leading opera houses, concert halls, and festivals.
Pisaroni begins the 2016/17 season as Leporello in Mozart’s Don Giovanni at the Berlin Staatsoper, followed by his role debut as Méphistophélès in Gounod’s Faust at Houston Grand Opera. He will sing the role of Conte Rodolfo in Bellini’s La Sonnambula and Méphistophélès at the Wiener Staatsoper. Mr. Pisaroni returns to the Metropolitan Opera stage to debut as Giorgio in Bellini’s I Puritani, led by Maurizio Benini, and will then make his highly anticipated debut at Teatro alla Scala as Leporello in Mozart’s Don Giovanni, under the baton of Paavo Järvi.
This season, Mr. Pisaroni’s concert appearances include Rossini’s Stabat Mater at the Musikverein Wien, Händel’s Messiah with Les Violons du Roy, Beethoven’s Missa Solemnis for the Elbphilharmonie Opening, Mozart’s Concert Arias and Schubert’s Orchestrated Songs with the Wiener Virtuosen and the Stuttgarter Philharmoniker, Bach’s B Minor Mass with the Gewandhausorchester, and Berlioz’s Romeo and Juliet with Music Director Michael Tilson Thomas and the San Francisco Symphony. Pisaroni will also perform a series of recitals with pianist Maciej Pikulski at venues throughout Europe including Wigmore Hall and the Teatro de la Zarzuela. Additionally, he performs alongside Thomas Hampson in several concerts of the duo’s “No Tenors Allowed” program in Lisbon, Istanbul, Vienna, and in Leipzig at the Open Air-Bühne im Rosental.
Mr. Pisaroni’s has recorded for all major labels, and his discography includes Don Giovanni and Rinaldo from the Glyndebourne Festival; Le nozze di Figaro with the Opéra National de Paris; Così fan tutte, Don Giovanni and Le nozze di Figaro from the Salzburg Festival; and a recording of Don Giovanni with the Mahler Chamber Orchestra and Yannick Nézet-Séguin. Additional releases include Verdi’s Simon Boccanegra, and most recently, the title role in Le nozze di Figaro with the Chamber Orchestra of Europe under the baton of Yannick Nézet-Séguin.
Luca Pisaroni lives in Vienna with his wife, Catherine. Their golden retriever Lenny 2.0 and miniature dachshund Tristan are the singer's constant traveling companions.
Messa da Requiem
Stanislav Kochanovsky tornou-se, nos últimos anos, um dos mais elogiados e procurados jovens maestros em ascensão. Reconhecido pela grande versatilidade e firme visão tanto do repertório operático como do sinfónico, o maestro russo dirige o Coro e a Orquestra Gulbenkian num concerto final de temporada de elevada expetativa, assente na interpretação do Requiem de Verdi. A tocante obra que o compositor italiano escreveu em memória do poeta e romancista Alessandro Manzoni, considerado o pai da língua italiana moderna.
The Calouste Gulbenkian Foundation reserves the right to collect and keep records of images, sounds and voice for the diffusion and preservation of the memory of its cultural and artistic activity. For further information, please contact us through the Information Request form.
These cookies are used to enhance your browsing experience, security and our website's performance, allowing you to access the main features of the website. Therefore, they are always enabled. This type of cookies includes cookies that allow you to be remembered as you browse the website during a single session.
These cookies collect information about the use of the website to improve the services provided and to evaluate the performance of the website. Some of these cookies may be used to test pages or the functionality of the website by measuring the reaction of users. These cookies may be our own and / or owned by third parties.
These cookies are third-party cookies that allow to connect to social media and share multimedia content from our website on those networks. Some of these cookies help us to adapt advertising outside of our website to the interests of the users. By disabling these cookies, it will no longer be possible to directly share our content in any social media
For more information about cookies and the processing of your personal data, please see the Privacy and Cookies Policy. You can change your cookie settings at any time through the link at the bottom of the page.