Praneet Soi. Third Factory. From Kashmir to Lisbon, via Caldas
Praneet Soi has been working in the ceramic centre of Caldas da Rainha, making tiles which will act as a screen for his collage-like films.</p> <p>Know more<br />
Summer Guest: Joaquim Sapinho
This exhibition is the second part of an idea that started in 2016 and aims to continue: bringing into the permanent display of each of the collections of the Calouste Gulbenkian Museum the presence and reality of the other. This year, the challenge was proposed to filmmaker Joaquim Sapinho.
Aimée Zito Lema. 13 Shots
The work of Aimée Zito Lema (Amsterdam, 1982) touches on the dynamics between individual and collective memory, with a particular focus on the recording and intergenerational transmission of events, both through material history and through the human body as a mnemonic repository.
Post-Pop. Beyond the commonplace
This exhibition presents, in its entirety, works produced almost exclusively between 1965 and 1975, in Portugal and England. Some of them are united by a witty divergence from the commonplace put forward by Pop Art.
Sara Bichão Find me, I kill you
The exhibition is born of an intense personal experience that led the artist to question herself: as a singular identity, with her own body, and as a part of a whole. Sara Bichão relates the panic she experienced in a volcanic lake when, swimming alone, halfway across the crater, she realised she was right in the middle of it.
he Emperor’s Flowers. From the Bulb to the Carpet
Throughout the 16th century, Europe’s extensive relations with the world reshaped its knowledge of nature. New products and previously unknown plant and animal species were brought to Europe from the West and East Indies. Seeds and bulbs of exotic flowers were brought from the Levant.
Mariana Silva. Camera Trap
The artistic work of Mariana Silva is marked by a strong conceptual component that reflects her preoccupation with questions of culture, museology and sociology in general.
Beyond the Mirror
Beyond the Mirror, a title that deliberately alludes to the world of Alice Liddell, the heroine created by Lewis Carroll (1832-1898), is a thematic exhibition, which takes the mirror as its main focus. The intention is to show the polysemic presence of this object in the iconography of European art, particularly within painting, but also in sculpture, books, photography and film.
Ana Hatherly and the Baroque. In a Garden Made of Ink
This exhibition-essay has only one subject: Ana Hatherly and the Baroque. However, we will not focus solely on the influence of the Baroque on the artist’s work, but on how Ana Hatherly’s research and experimentation enhanced the value of this disparaged historical period and modified our concept of the past – after all, tradition is an unexplored territory of adventure and continual amazement.
Sculpture on Screen. The Very Impress of the Object
This exhibition explores the fascination that classical sculpture has held for large numbers of contemporary filmmakers and artists, a fascination which also reflects an apparent contradiction: why is it that contemporary artists working with moving images are so interested in the absolute immobility embodied in classical sculpture?
Helmut Federle Abstract matter (paintings and ceramics)
The Calouste Gulbenkian Museum is preparing an exhibition on the work and collections of the 17th century Moroccan and Japanese ceramics of the Swiss painter Helmut Federle, which will be placed in dialogue with the Museum’s Islamic art ceramics, both in the space of the Islamic art Hall, at the permanent exhibition, as in the Lower Gallery.
Emily Wardill. Matt Black and Rat
Matt Black and Rat presents recent work by artist Emily Wardill (1977, UK), who has lived and worked in Lisbon since 2014. Produced in collaboration with the Bergen Kunsthall, the exhibition presents two new films, a new series of sculptures-reliefs and an original set of rayograms.
Eid al-Fitr. Breaking the fast
In 2017, the Calouste Gulbenkian Museum presents two installation-interventions in the Gallery of Islamic Art – Founder’s Collection, each based on a celebration of great symbolic significance in the Islamic world.
José de Almada Negreiros: a way of being modern
The exhibition presents a body of work that reflects the complex, experimental, paradoxical and hybrid condition of modernity. Almada’s paintings and drawings are closely linked to the work he did in collaboration with architects, writers, publishers, musicians, set designers and stage directors. This selection also testifies to the importance of film and the persistence of the graphic narrative.
Manuela Marques and Versailles. The hidden face of the sun
The Lower Floor Gallery of the Calouste Gulbenkian Museum hosts the first public exhibition of a group of photographs made by the artist Manuela Marques over several months at Versailles. Wandering around the palace.
Tamás Kaszás. Joy of Surviving
The exhibition brings together a group of works that, departing from an imminent scenario of ecological and economic collapse, gives rise to the creation of a fiction of an alternative future, built on the values of imagination, collaboration, self-sufficiency, and the recovery and reinterpretation of an ancestral popular science.
Noruz, Feasting in Spring
The exhibition “Noruz, Feasting in Spring” is included in the “New Year’s Celebrations: Islamic Art in the Gulbenkian Museum”, a larger initiative that includes another exhibition opening in June.
Portugal em Flagrante
Portugal em Flagrante is a semi-permanent exhibition of the Calouste Gulbenkian Museum’s Modern Collection designed to offer both an introduction to the history of art and culture in Portugal during the twentieth century and a more in-depth resource for students and academics.
The Shape of Plain
The Shape of Plain examines the impact of history of art on artistic and architectural practices through the work of American art historian, George Kubler.
Lines of Time. The Gulbenkian Collections. Contemporary Paths
From that date, this exhibition takes us back 60 years to 1896 and guides us up to the present day, providing a space for dialogues and links between two collections: the collection acquired by Calouste S. Gulbenkian up to 1955 and the Modern Collection, comprised of works ranging from the 20th century to the current day.
Just as the forms of architecture determine the organization of building sites, so technology and economy organize methods of production – with a significant social impact. These conditions constrict and stimulate architectural conception.
I do not evolve, I travel. José Escada Retrospective
The Modern Collection presents the first retrospective exhibition devoted to the painter José Escada (Lisbon, 1934 – 1980). This exhibition shines a spotlight on an artist who produced a highly unique body of work that continuously oscillated from abstraction to figuration, and moved between painting, drawing, collage, cut-out reliefs and illustration, as well as painted and sgraffito murals.
Summer Guests brings contemporary artists to the Calouste Gulbenkian Museum proposing new exhibition contexts that highlight crosscutting and unexpected relationships, and formal or conceptual proximity of works from different eras.
Kum Kapi. Travelling Carpets
Kum Kapi carpets owe their name to a district of Istanbul where, in the 19th century, various Armenian master carpet makers settled to create their rich knotted carpets of silk, with metal threads, inspired by the classic Persian carpets of the 16th and 17th centuries.
Molière: The Staging of Writing
The Calouste Gulbenkian Museum once again celebrates World Book and Copyright Day by highlighting, this year, the work of one of the greatest playwrights of all time – Jean Baptiste Poquelin (1622-1673), better known by the name Molière.