As part of the ‘Engawa Films’ programme, we screened ‘Mountain Plain Mountain’ and ‘Wrong Revision’, by Yu Araki. In this interview, the Japanese artist talks about his trajectory and his creative process.
Curator Sara de Chiara spoke with Michele Rizzo about 'HIGHER xtn.', a performance that began at the Stedelijk Museum in Amsterdam and is now being presented in Lisbon.
Japanese artist Saeborg occupied our Studio with ‘Slaughterhouse’, an inflatable farm that crosses fantastical dream and dystopian nightmare. In this conversation, she tells us about the performances at CAM and reflects on cosplay culture and the dance between the audience and her animals.
Vicente Megre, an aerospace engineering student, reveals his experience as part of CAM’s Youth Advisory Group, looks back on what he has learnt, and explains why he seized the opportunity to represent people from a non-artistic background as part of the Group.
Oficina Fritta, a collective of artists in residence at CAM's Learning Space, reflects on the work developed with families at ZAAM.
The work ‘Citymobil’, acquired by CAM in December 2021, was recently restored by conservator-restorer Elizabeth Martins. Costa Pinheiro's futuristic city can be seen in the exhibition ‘Tide Line. CAM Collection’.
Ema Gonçalves shares her drivers and expectations upon joining CAM’s Youth Advisory Group. In this interview, the young doctoral student in gender studies talks to us about the role of cultural institutions in relation to human rights issues and her vision of art as an agent of political and social change.
Rafael Oliveira is a young artist who forms part of the Youth Advisory Group. In this interview, he reveals that one thing young people want from cultural institutions is ‘to feel heard.’
Curator Helena de Freitas shares her experience of researching the life and work of Amadeo de Souza-Cardoso, highlighting the work of the Gulbenkian Foundation in investigating and preserving the modernist artist's estate.
Margarida Bezerra Bastos tells us about her experience working on CAM's Youth Advisory Group. In this interview, Margarida reflects on the difficulties in accessing art in the Portuguese interior and what young artists expect from cultural institutions.
Leopoldina Fekayamãle on her involvement with the CAM team through her participation in the Youth Advisory Group. Here she shares her personal experience and discusses how art allows us to talk about very important things in a poetic way.
On the 50th anniversary of the 25 April Revolution, we asked different generations to choose a work from CAM’s Collection and relate it to this decisive moment in our recent history.
Curator and educator Sepake Angiama shares her views and experience on new institutional models.
Curator Hicham Khalidi, director of the Jan Van Eyck Academie in Maastricht, discusses the responsibilities of cultural institutions, both outside and within organizational structures, in the scope of his participation in the programme ‘Cultural Institutions in Change’.
On the 50th anniversary of 25 April, around 50 young people born long after 1974 are preparing a concert to tell us, through music and body percussion, about the revolutions they want for their lives.
CAM interviewed Sara Rodrigues and Rodrigo B. Camacho, who together form the artistic collective Landra.
After presenting her film 'My Bodily Remains' at the Gulbenkian Foundation, we spoke to Tai Shani about her trajectory, what inspires her, and how politics and love are inseparable in her work.
On the 50th anniversary of the 25 April Revolution, we asked different generations to choose a work from CAM’s Collection and relate it to this decisive moment in our recent history.
Curator and researcher Raphael Fonseca discusses the challenges of curatorship and change in cultural institutions, as part of his participation in the programme ‘Cultural Institutions in Change’.
On the 50th anniversary of the 25 April Revolution, we asked different generations to choose a work from CAM’s Collection and relate it to this decisive moment in our recent history.
Yeri Varela shares her experience of working with the Youth Advisory Group and the various CAM teams. In this interview, Yeri reflects on what young people are looking for in cultural institutions and tells us about her passion for participatory art and the power it has to save us.
In this video, several voices share the intentions, methodologies and impacts of a process that revisits the museum from another perspective: a place of experimentation, transformative experiences and co-creation in movement.
Leonor Rosas shares her experience of the Youth Advisory Group and reflects on the challenge of attracting young audiences to cultural institutions and on the transformative power of art in society.
Participants in the project 'Exchanged gazes, (un)common places' reflect on the collective construction processes of an exhibition with works from the CAM Collection and on the transformative role of participatory projects for individuals, institutions and communities.
