Shostakovich’s Violin Concerto No. 1
Gulbenkian Orchestra
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Date
- 20:00 / Cancelled 20:00 / Sold out Thursday, 20:00
- 19:00 / Cancelled 19:00 / Sold out Friday, 19:00
Location
Grand Auditorium Calouste Gulbenkian FoundationPricing
- 28,00 € – 56,00 €
Single tickets
Online priority booking (Cartão Gulbenkian Mais): 29 Jun, 10:00
Online booking: 30 Jun, 10:00
25% – Under 30
10% – Over 65
Cartão Gulbenkian:
50% – Under 30
20% – Over 65
10% – 30 to 65
- Conductor
- Violin
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Gulbenkian Orchestra
In 1962, the Calouste Gulbenkian Foundation decided to establish a permanent orchestral ensemble. Originally with only twelve musicians (strings and continuo) it was named “Orquestra de Câmara Gulbenkian”. This collective was successively enlarged and today the “Orquestra Gulbenkian” (the name it has adopted since 1971) has a permanent body of sixty instrumentalists, a number that can be expanded depending on the repertoire.
This structure allows the Gulbenkian Orchestra to interpret works from the Baroque and Classical periods, a significant part of 19th century orchestral literature and much of the music of the 20th century, including works belonging to the current repertoire of the traditional symphonic orchestras. In each season, the orchestra performs on a regular series of concerts at the Gulbenkian Grand Auditorium in Lisbon, where it has had the opportunity of working together with some of leading names of the world of music (conductors and soloists). It has also performed on numerous locations all over Portugal, in an effort to decentralize music and culture.
The orchestra has been constantly expanding its activities in the international level, performing in Europe, Asia Africa, and the Americas. In the recording field, Orquestra Gulbenkian is associated to labels as Philips, Deutsche Grammophon, Hyperion, Teldec, Erato, Adès, Nimbus, Lyrinx, Naïve and Pentatone, among others, and this activity was recognized with several international prizes.
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Lorenzo Viotti
Conductor
Lorenzo Viotti has established himself as one of the most compelling conductors of his generation, acclaimed for his charismatic presence, emotional depth, and remarkable versatility across both symphonic and operatic repertoire.
The 2025/26 season sees him on major stages around the world, including performances with the Vienna Philharmonic, Wiener Symphoniker, Orchestre National de France, Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome, and the Filarmonica della Scala, with whom he continues a fruitful collaboration. He also appears with the Gulbenkian Orchestra in Lisbon and the Netherlands Philharmonic Orchestra, where he served as Chief Conductor until 2025. In Asia, he returns to Japan with the Tokyo Symphony Orchestra ahead of becoming its Music Director in the 2026/27 season.
A passionate opera conductor, Viotti debuts at the Palau de les Arts in Valencia with Faust, and returns to Zurich Opera for Die Fledermaus and to the Vienna State Opera for Puccini’s Il Trittico. His tenure as Chief Conductor of Dutch National Opera (2021–2025) featured critically acclaimed productions such as Peter Grimes, the Amsterdam premiere of Die Fledermaus and a three years Puccini cycle in collaboration with director Barrie Kosky.
He has previously led productions at Teatro alla Scala, the Paris Opera, Zurich Opera, and the Semperoper Dresden, while his symphonic collaborations include engagements with the Berlin Philharmonic, Staatskapelle Berlin, Royal Concertgebouw Orchestra, Munich Philharmonic, Gewandhausorchester Leipzig, Cleveland Orchestra, and many others.
Born in Lausanne into a Franco-Italian family of musicians, Viotti studied piano, singing, and percussion in Lyon before continuing his conducting studies in Vienna and Weimar. He rose to international prominence after winning several major competitions, including the Nestlé Young Conductors Award at the Salzburg Festival, the MDR Symphony Orchestra Conducting Competition, and the Cadaqués International Conducting Competition. In 2017, he was named “Newcomer of the Year” at the International Opera Awards.
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Inmo Yang
Violin
Korean violinist Inmo Yang is the first prize winner of the 2022 Jean Sibelius Violin Competition. He was also awarded a prize for the best performance of the commissioned work written by Magnus Lindberg. Sakari Oramo- the chair of the jurycommented: “The winner was overwhelming. There is so much great about Inmo’s playing, both musically and violinistically. There is never anything extra involved in changing the spring, which produces singing and ease”
In March 2015, Inmo won the 54th International Violin Competition “Premio Paganini” in Genoa, Italy, marking the first time since 2006 that the Paganini Competition jury awarded First Prize. Fabio Luisi, the chair of the jury at the time, commented: “Inmo is an intuitive musician. His Paganini is captivating and exquisite.” He also garnered the following special prizes: youngest finalist, best performance of the contemporary original piece, performance most appreciated by the audience, and a special recital in Genoa using Paganini’s own Guarneri Del Gesu violin.
Inmo made his Carnegie Hall debut at the Weill Recital Hall as a winner of the Concert Artists Guild competition, and went on to receive invitations to the Boston Symphony Hall, the Kravis Center for the Performing Arts, the Ravinia Music Festival and the Marlboro Music Festival.
Inmo has performed with many renowned conductors such as Marin Alsop, Myungwhun Chung, James Gaffigan, Neeme Järvi, Fabio Luisi, Sakari Oramo, David Robertson, John Storgårds, and Osmo Vänskä. His concerto appearances include Helsinki Philharmonic Orchestra, Finnish Radio Symphony Orchestra, Orchestre National de France, Chicago Symphony Orchestra, Lucerne Symphony Orchestra, Zurich Philharmonic Orchestra, Danish National Symphony Orchestra, BBC Symphony Orchestra, and Seoul Philharmonic Orchestra. He opens 2324 season with Orchestre de la Suisse Romande in Geneve-Plage Festival and Philharmonia Orchestra in Mikkeli Music Festival, followed by tour in Korea with Hong Kong Philharmonic Orchestra, and several debuts including Gulbenkian Orchestra, Stavanger Symphony Orchestra, BBC NOW, and Auckland Philharmonia Orchestra.
In 2021, Inmo released his second Deutsche Grammophon album [The Genetics of Strings]. His debut album - 24 Caprices by N. Paganini - was recorded live as part of the Kumho Art Hall residency and released under the same label in 2019.
Inmo studied with Namyoon Kim at Korea National University of Arts, Miriam Fried at the New England Conservatory of Music in Boston, and Antje Weithaas at Hochschule für Musik “Hanns Eisler” in Berlin. He is now studying at Kronberg Academy with Antje Weithaas. Inmo is playing on a violin by G. B. Guadagnini of Turin kindly loaned by Jane Ng through J & A Beare and the Beare’s International Violin Society for The International Jean Sibelius Violin Competition.
Dmitri Chostakovitch
Grażyna Bacewicz
Violinist Inmo Yang attracted the attention of the classical music world when he won the Paganini Competition in 2015. Since then, the South Korean musician has conquered the great stages through a rare combination of depth and delicacy, allied, according to the Boston Globe, with ‘perfect technique and a tender, warm tone’. With the Gulbenkian Orchestra, Yang will perform Shostakovich’s Violin Concerto No. 1, composed in the summer of 1947. The work will be accompanied by Polish composer Grażyna Bacewicz’s Symphony No. 4, another emblematic work of the post-war period.
Sponsor Gulbenkian Music
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