Carmen in concert
Sunday Concerts
Event Slider
Date
- / Cancelled / Sold out
Location
Grand Auditorium Calouste Gulbenkian Foundation- Katharina Morin Conductor
-
Gulbenkian Orchestra
In 1962, the Calouste Gulbenkian Foundation decided to establish a permanent orchestral ensemble. Originally with only twelve musicians (strings and continuo) it was named “Orquestra de Câmara Gulbenkian”. This collective was successively enlarged and today the “Orquestra Gulbenkian” (the name it has adopted since 1971) has a permanent body of sixty instrumentalists, a number that can be expanded depending on the repertoire.
This structure allows the Gulbenkian Orchestra to interpret works from the Baroque and Classical periods, a significant part of 19th century orchestral literature and much of the music of the 20th century, including works belonging to the current repertoire of the traditional symphonic orchestras. In each season, the orchestra performs on a regular series of concerts at the Gulbenkian Grand Auditorium in Lisbon, where it has had the opportunity of working together with some of leading names of the world of music (conductors and soloists). It has also performed on numerous locations all over Portugal, in an effort to decentralize music and culture.
The orchestra has been constantly expanding its activities in the international level, performing in Europe, Asia Africa, and the Americas. In the recording field, Orquestra Gulbenkian is associated to labels as Philips, Deutsche Grammophon, Hyperion, Teldec, Erato, Adès, Nimbus, Lyrinx, Naïve and Pentatone, among others, and this activity was recognized with several international prizes.
Georges Bizet
Suite No. 1 and Suite No. 2 from Carmen
Duration approximately: 60 min.
As one of the most performed operas of all time, Carmen is a case of unbridled success and its most famous arias are imprinted on the collective imagination. The ultimate masterpiece by French composer Georges Bizet tells the story of a gypsy woman who experiences love intensely and freely. This freedom demanded by the magnetic protagonist came up against the more conservative values of the second quarter of the 19th century, but she soon became a favourite among opera audiences. In this Sunday Concert, we hear orchestral versions of Bizet’s evocative music.
Sponsor Gulbenkian Music
The Calouste Gulbenkian Foundation reserves the right to collect and keep records of images, sounds and voice for the diffusion and preservation of the memory of its cultural and artistic activity. For further information, please contact us through the Information Request form.
Related
No results were found for your criteria.