- Eastern Islamic Art
“Animal fighting” carpet
Persia, Kashan, mid-sixteenth century
Persian silk carpets are generally regarded as being the finest of knotted carpets. This example belongs to a relatively homogeneous series of about sixteen. Some have a central medallion, inspired by Persian arts of the book; others are decorated with human or animal figures.
This carpet combines two decorative characteristics, a central lobed quatrefoil medallion with phoenix and dragons in combat, alternating with two palmettes. The field, with a red ground is filled with lions, tigers, panthers and antelopes and floral motifs. Pheasants with rich plumage alternate with palmettes and flowers round the border.
The city of Kashan was a well known for trading and manufacturing of silk from the XV century onwards. Reports from European travellers, as from the end of the XVI century, document the existence of silk carpets that were regarded as luxury goods.
Wilhelm von Bode, Berlin; Kunstgewerbemuseum, Berlin; bought through Hans Stiebel, Amsterdam, in March 1936.
Kurt Erdmann – Seven Hundred Years of Oriental Carpets, London, 1970, p. 65, no. 68
Richard Ettinghausen – Arte da Pérsia Islâmica na Colecção Calouste Gulbenkian, Lisboa (Fundação Calouste Gulbenkian), 1972, p. 7-8, 12, no. 26, pls.
Rona Goffen (ed.) – Museums discovered: The Calouste Gulbenkian Museum, Fort Lauderdale, Florida, 1995, p. 174-175, colourpl.
New York 1999
“Only the Best”. Masterpieces of the Calouste Gulbenkian Museum, Lisbon, exhibition catalogue, Katharine Baetjer e James David Draper (eds.) – New York (The Metropolitan Museum of Art), 1999, p. 78-79, no. 36, colourpl.
Sheila R. Canby – The Golden Age of Persian Art. 1501-1722, London, 1999, p. 66-79, ils. 54, 62
Calouste Gulbenkian Museum – Album, Lisbon, Calouste Gulbenkian Foundation, 2001, p. 58-59, no. 41, colourpl.
Steven Cohen – “Safavid and Mughal Carpets in the Gulbenkian Museum”, in: Hali, no. 114 (January-February), 2001, pp. 75-85, colourpl. 9