• Genoa, after 1661
  • White marble
  • Inv. 544
  • Sculpture

Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius

Filippo Parodi

This group is inspired by Virgil’s epic The Aeneid, whose hero, Aeneas, has to flee a burning Troy, carrying his elderly father Anchises on his back, followed by his son Ascanius, shown here as a young child. Aeneas was held up as a role model due to his exceptional commitment to his moral duty, whether before the Gods (the Penates carried by his father), or before other men, as represented by his own father, whom he refused to abandon. The group can also be seen as representing the three ages of Man: Aeneas represents the present, he who takes on the mission of changing the world; Anchises, his father, represents the past, functioning as a reference point; while his son Ascanius is the promise of an auspicious and cheerful future with all its inherent potential.

This monumental group, which stood at the entrance to the Calouste Gulbenkian residence on the Avenue d’Iena in Paris, was previously part of the collection of the Marquis of Foz, Tristão Guedes Correia de Queiroz, kept at the Castelo-Melhor Palace in Praça dos Restauradores, now known as Foz Palace.

Provenance

Sécretan Collection, Paris, until 1889. Sale of the Sécretan Collection, 4 July 1889, cat. no. 213. Acquired by the Marquis of Foz for his residence at the time, a mansion on Rua das Chagas. Marquis of Foz Collection, Lisbon, until 1901. Sale of the Marquis of Foz Collection, 3 May 1901, cat. no. 816, p. 60. Acquired by Calouste Gulbenkian at Asher Wertheimer, London, 30 October 1918.

H. 237 cm; W.81 cm; D.63.5 cm

Ingersoll-Smouse 1914

Florence Ingersoll-Smouse – La Sculpture à Gênes au XVIIème siècle. Pierre Puget, Filippo Parodi et leurs contemporains. In Gazette des Beaux-Arts, 1914 (2), p. 11-24.

Briasco 1962

Paola Rotondi Briasco – Filippo Parodi. In Quadernidel Istituto di Storia dell’Arte delle Università di Genova, no. 3, 1962.

Figueiredo 1999

Maria Rosa Figueiredo – Catálogo de Escultura Europeia. Lisbon: Calouste Gulbenkian Museum, 1999, vol. II, p. 62-67.

Vale 2005

Teresa Leonor M. Vale – Escultura Barroca Italiana em Portugal. Lisboa: 2005.

Lisbon 2006

Maria Rosa Figueiredo – The Collector and His Taste, Calouste S. Gulbenkian 1869-1955, (exhibition catalogue). Lisbon: Calouste Gulbenkian Museum, 2006, no. 36, p. 172-73.

Updated on 21 June 2017