Contemplations

Poetry and reality in the Gulbenkian Painting Collection (1830 – 1890)

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This exhibition of 19th-century paintings from the Gulbenkian Collection explores the various representations of reality, including still life, urban views, seascapes, and landscapes.

Observed en plein air – a motif that underwent a decisive transformation from the 1830s onwards thanks to the naturalists connected to the Barbizon group – the landscape is illustrated by some of its most significant representatives: Corot, Daubigny and Rousseau.

Through a realist lens, Henri Fantin-Latour revisits the still life motif in the light of the ‘Baudelerian’ concept of modern life painters, to which the artist added his unique intimate vision.

The urban views, represented by Stanislas Lépine, are the focus of a new impulse sustained by an idea of modernity associated with industrial progress in the late nineteenth century – which culminated with the raising of the Eiffel Tower, for the Exposition Universelle of 1889, Paris.

In a distinctive reinterpretation of the seascapes motif from the seventeenth-century Dutch tradition, Eugène Boudin represented French coastline in the regions of Normandy and Brittany, in a style that inspired the ‘revolution of the gaze’ by the impressionist movement in 1874.

The collection of paintings on display evoke artistic worlds treasured by Calouste Sarkis Gulbenkian and find a shared creative purpose in the representation of reality.

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