The body always speaks first
Fernão Cruz writes about the exhibition 'Biting Dust', analysing the works he conceived for this project, created for the Gulbenkian Foundation.
Fernão Cruz writes about the exhibition 'Biting Dust', analysing the works he conceived for this project, created for the Gulbenkian Foundation.
The researcher and curator Maria do Mar Fazenda writes about the artist's life and work and about the exhibition dedicated to him at MACNA.
The work 'Untitled', by Zulmiro de Carvalho, an aluminium sculpture, formed of four elements, was acquired for the CAM Collection in 2019.
In 2020, CAM acquired 'Untitled', by Bruno Cidra, a large-scale sculpture with an iron structure that includes several layers of paper sheets.
Donated by the artist Pedro Valdez Cardoso, the installation 'Livro de Actos' [Book of Acts] is now part of the CAM Collection.
In 2020, the CAM acquired the tapestry 'Tempo – Infância, Adolescência, Maturidade' by Maria Altina Martins. The Portuguese artist has been working on this kind of piece from the 1960s to the present day, frequently challenging the boundaries between tapestry and sculpture.
The historian Cláudia Lopes reflects on the process of decolonisation of thought, highlighting several artists and works which deal with the colonial past and its consequences.
Fayga Ostrower was a Brazilian artist born in Poland. In 2020, the Fayga Ostrower Institute donated to the Gulbenkian Foundation five of the artist’s works, which joined the two abstract woodcuts in the CAM Collection.
'Tree Identification for Beginners' (2017), by Yto Barrada, was acquired for the CAM Collection in 2020, having been shown in the exhibition 'Moi je suis la langue et vous êtes les dents', in the Project Space, in 2019.
On 2 June, CAM joined in the celebrations of the centenary of Ernesto de Sousa's birth (1921-1988) with the presentation of 'Luiz Vaz 73', marking the integration of the mixed-media work into the Collection in 2019.
An imaginary exhibition which brings together works from the CAM Collection that can be read as having a dual structure, a sharing, a division, replication or form of symmetry.
The CAM collection acquired a new photograph by Augusto Alves da Silva, nominated for the BES PHOTO 2006 award.
A reflection on the current reality of lockdown, on the role of the home and on the idea of human presence/absence.
The artist Rosa Carvalho focuses on themes of everyday life, food and eating, namely meat, at its rawest.
The artist Nuno Sousa Vieira reflects on the notion of escape, explaining how this concept influenced his creative process in this study.
The artist Eugénia Mussa contextualises her relationship with intense colour and the role it has played in her work.
Learn about the artistic career of Malangatana, a great connoisseur of both ancestral African cultures and Western culture.
In the context of the pandemic and restrictions, we highlight works by artists that evoke atypical scenarios we have all experienced.
Sculptor and teacher Sharon Lubkemann Allen reflects on Ângela Ferreira's installations about forms and places, revealing how they build bridges between different cultures.
Mónica de Miranda's project ‘Panorama’ focuses on themes such as ‘urban archaeology and personal geographies’ and notions of identity, memory and diaspora.
Penelope Curtis chooses a pair of portraits that offer an interesting contrast, in certain aspects very similar, despite the fact that they are almost two centuries apart.
Over several years, the artist's work has reflected on the migrant experiences of her family and of others close to her.
David de Almeida transforms written text (Fernão Mendes Pinto's 'Peregrinação') into a visual composition, an attempt at a visual transcription of the journey as a theme.
Find various applications of the famous 'Fibonacci Sequence' in the works of Jorge Pinheiro, some of which belong to the CAM Collection.