Joel Moreira about the new CAM: ‘I think it has huge potential to become a ‘beacon”
Joel shares his ideas, his first impressions about the experience of being a member of CAM's Youth Advisory Group and his expectations of the building's reopening.
Joel shares his ideas, his first impressions about the experience of being a member of CAM's Youth Advisory Group and his expectations of the building's reopening.
Carolina Almeida talks about her vision and expectations for the Youth Advisory Group, the representation of young audiences in cultural institutions and the democratisation of these spaces.
The three members of the collective 目[mé] tell us about Masayume's presentation in Lisbon and how the public received the installation that opened the Season of Contemporary Art from Japan.
The Japanese artist shares which aspects of the city of Lisbon inspired her to create the performance and installation «Cuisine Existentielle» – an edible landscape.
'Portugal is no country for women' is the title of the second route created by a group of curators for the exhibition 'Histories of a Collection'.
On his first visit to Lisbon, julianknxx talks about his project 'Black Corporeal', produced in partnership with the Iminente Festival. The presentation in Lisbon involves the participation of the Gospel Collective choir and takes place on 20 May at the Open Air Amphitheatre of the Calouste Gulbenkian Foundation.
Carlos Bunga has designed a house and inhabited a place in the Gulbenkian Garden, which can be visited until the end of April.
The artist Emília Nadal's concern with environmental degradation in the context of the consumer society crosses paths of the emerging environmentalism of the 1970s.
The opera-performance 'Sun & Sea', presented at Culturgest, opens the 2022 edition of Alkantara Festival.
In a relaxed tone, the dancer and choreographer Smaïl Kanouté tells us the story behind a project whose protagonist is the black samurai Yasuke Kurosan and whose Portuguese première will take place at the Gulbenkian Foundation’s Grand Auditorium at the end of September.
Learn more about the work 'A Princesinha Grávida' [The Pregnant Princess] by Paula Rego in this article written by researcher Leonor Oliveira.
Learn more about an installation by Angolan artist António Ole that combines various elements, materials and techniques. Find out the story behind this artwork.
An analysis of the idea of the mask through a selection of artworks from the Centro de Arte Moderna collection.
The CAM Collection includes two 5-meter high tapestry studies by Vieira da Silva. Find out the story behind this large-scale project.
Fernão Cruz took up the challenge of selecting five works from the CAM collection to create an imaginary narrative, which resulted in a short parody.
A selection of works from the CAM collection, based on the idea of homage and that of its opposite, oblivion.
Fernão Cruz writes about the exhibition 'Biting Dust', analysing the works he conceived for this project, created for the Gulbenkian Foundation.
The researcher and curator Maria do Mar Fazenda writes about the artist's life and work and about the exhibition dedicated to him at MACNA.
The historian Cláudia Lopes reflects on the process of decolonisation of thought, highlighting several artists and works which deal with the colonial past and its consequences.
An imaginary exhibition which brings together works from the CAM Collection that can be read as having a dual structure, a sharing, a division, replication or form of symmetry.
A reflection on the current reality of lockdown, on the role of the home and on the idea of human presence/absence.
The artist Rosa Carvalho focuses on themes of everyday life, food and eating, namely meat, at its rawest.
The artist Nuno Sousa Vieira reflects on the notion of escape, explaining how this concept influenced his creative process in this study.
The artist Eugénia Mussa contextualises her relationship with intense colour and the role it has played in her work.