
Curators’ Choices


The Unforeseen Reasons

The letter is a form

Without borders

Spatial utopia

‘Ut pictura Poesis’

‘arre, arre, arre, arre, arre’

Mirages in space

Social Distancing

Encounters with António Dacosta

Human Clay

The surrealist drawings of Julio

Mediterranean Light

‘Fuga’ [Escape]

‘Love shop’ or how to collect love

The Critic’s Choice

Manuel Botelho (1950)

Promiscuity between cinema and painting – the case of the film Sombra

All the Fine Arts

‘Será que foi miragem de carnaval?’ [Could it have been a mirage of carnival?]

In relation

“I’m a woman, right?”

In the recesses of memory
