The Argentinian soprano Mariana Flores studied singing at the University of Cuyo, then went on to advanced study with Rosa Domínguez in Basel and at numerous masterclasses throughout Europe.
Mariana has now become established as a key interpreter of the Baroque repertory. She performs and records regularly with such leading figures as Leonardo García Alarcón, John Eliot Gardiner, Christina Pluhar, Manfred Kraemer…
Since her Australian tour of 2015, she has now sung on every continent, in the most prestigious venues and festivals of the Baroque universe. In March 2016, Mariana Flores made her debut at the Teatro Zarzuela de Madrid in two operas by Sebastían Duron. The press greeted her performances with dithyrambic reviews. In September 2016 she appears on the stage of the Palais Garnier in Paris in Cavalli ’s Eliogabalo.
She is Alinda in Cavalli’s Il Giasone, at the Opera of Geneva and Versailles in 2017. Then Tétis in the world premiere of Draghi’s El Prometeo at the Dijon Opera in 2018. In 2019 she once again won over audiences and critics as Deidamia in Sacrati’s La Finta Pazza in Dijon, Geneva and Versailles.
The release of Francesco Cavalli’s CD Teatro dei Sensi, his great solo recital, in autumn 2015 received the highest press awards (Classica’s Choc of the Year and Diapason d’or). In 2016, she signed with Cappella Mediterranea, Monteverdi’s Peccati Capitali which was nominated for the 2017 Victoires de la Musique and won several awards, including the Diamant d’Opéra Magazine.
Mariana regularly gives her successful programs: Monteverdi a voce sola and L’Arte di Amare, a concert around Strozzi and Cavalli, released on CD.
She participates in recordings of Cappella Mediterranea such as Arcadelt’s Madrigals, (Diapason d’or)in 2018, De vez en Cuando la Vida, Joan Manuel Serrat y el siglo de oro.
In 2017, Monteverdi’s Orfeo tour brought her back to Argentina at Teatro Colón where she also sang Falvetti’s Il Diluvio Universale.
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