Grimaud was born in 1969 in Aix-en-Provence and began her piano studies at the local conservatory with Jacqueline Courtin before going on to work with Pierre Barbizet in Marseille. She was accepted into the Paris Conservatoire at just 13 and won first prize in piano performance a mere three years later. She continued to study with György Sándor and Leon Fleisher until, in 1987, she gave her well-received debut recital in Tokyo. That same year, renowned conductor Daniel Barenboim invited her to perform with the Orchestre de Paris.

This marked the launch of Grimaud’s musical career, characterised ever since by concerts with most of the world’s major orchestras and many celebrated conductors. Her recordings have been critically acclaimed and awarded numerous accolades, among them the Cannes Classical Recording of the Year, Choc du Monde de la musique, Diapason d’or, Grand Prix du disque, Record Academy Prize (Tokyo), Midem Classic Award and the Echo Award.

Between her debut in 1995 with the Berliner Philharmoniker under Claudio Abbado and her first performance with the New York Philharmonic under Kurt Masur in 1999 – just two of many notable musical milestones – Grimaud made a wholly different kind of debut: in upper New York State she established the Wolf Conservation Center.

Her love for the endangered species was sparked by a chance encounter with a wolf in northern Florida; this led to her determination to open an environmental education centre. “To be involved in direct conservation and being able to put animals back where they belong,” she says, “there’s just nothing more fulfilling.” But Grimaud’s engagement doesn’t end there: she is also a member of the organisation Musicians for Human Rights, a worldwide network of musicians and people working in the field of music to promote a culture of human rights and social change.

For most people, establishing and running an environmental organisation or having a flourishing career as a musician would be accomplishment enough. Yet, remarkably, Hélène Grimaud has also found time to pursue writing, publishing three books that have appeared in various languages. Her first, Variations Sauvages, appeared in 2003, followed by two semi-autobiographical novels; Leçons particulières (2005); and Retour à Salem (2013).

Despite her divided dedication to these multiple passions, it is through Grimaud’s thoughtful and tenderly expressive music-making that she most deeply touches the emotions of audiences, who have been able to enjoy her concerts worldwide, thanks to the extensive tours she undertakes as a soloist and recitalist. She is also an ardent and committed chamber musician who performs frequently at the most prestigious festivals and cultural events with a wide range of musical collaborators, including Sol Gabetta, Thomas Quasthoff, Rolando Villazón, Jan Vogler, Truls Mørk, Clemens Hagen and the Capuçon brothers.

Recent performance highlights have included appearances with Valery Gergiev and the Mariinsky Orchestra at St Petersburg’s White Nights Festival and at the Festspielhaus Baden-Baden’s Summer Festival, Antonio Pappano and the Orchestra dell’Accademia Nazionale di Santa Cecilia, and Yannick Nézet-Séguin conducting the Philadelphia Orchestra.

Engagements for the 2016/17 season include performances with Andris Nelsons and Boston Symphony Orchestra, James Gaffigan and the Los Angeles Philharmonic, and Marin Alsop alongside the Baltimore Symphony Orchestra. Grimaud will perform Bartok’s Piano Concerto No. 3 with Sydney Symphony Orchestra and Melbourne Symphony Orchestra under Bramwell Tovey and with the West Australian Symphony Orchestra under Martyn Brabbins. Following her 2013 tour and album with cellist, Sol Gabetta, the duo will perform in a series of concerts across Germany, touring repertoire by Pärt, Fratres, Schumann, Debussy and Brahms. Hélène will continue to perform her water recital programme in San Diego, Baltimore, Monte-Carlo, Rome, Stockholm and Nuremburg amongst others, and in April 2017 she will collaborate with photographer, Mat Hennek, at the Elbphilharmonie.

In 2016, Grimaud released Water, a live recording of the performances from tears become… streams become… which brings together works by nine composers: Berio, Takemitsu, Fauré, Ravel, Albéniz, Liszt, Janáček, Debussy, and Nitin Sawhney, who has written seven short Water Transitions for the album as well as producing it. Grimaud has been an exclusive Deutsche Grammophon artist since 2002, and Water follows the September 2013 release of her album of the two Brahms piano concertos, the first concerto with Andris Nelsons conducting the Bavarian Radio Symphony Orchestra and the second recorded with the Vienna Philharmonic. Classic FM said: “Hélène Grimaud turns her thrilling, deeply personal brand of music-making to Brahms’s first and second Piano Concertos. Throughout her playing is sensitive, graceful, and commanding without ever feeling forced.” Limelight magazine called it an “utterly remarkable, inspired and inspiring recording”.

Duo, the album she recorded with cellist Sol Gabetta just prior to the Brahms concertos, won the 2013 ECHO Award for “chamber recording of the year”. Previous releases include her readings of Mozart’s Piano Concertos Nos. 19 and 23 on a 2011 disc which also featured a collaboration with singer Mojca Erdmann in the same composer’s Ch’io mi scordi di te?. Grimaud’s 2010 release, the solo recital album Resonances, showcased music by Mozart, Berg, Liszt and Bartók, while her other DG recordings include a selection of Bach’s solo and concerto works, in which she directed the Deutsche Kammerphilharmonie Bremen from the piano; a Beethoven disc with the Staatskapelle Dresden and Vladimir Jurowski which was chosen as one of history’s greatest classical music albums in the iTunes “Classical Essentials” series; Reflection and Credo (both of which feature a number of thematically linked works); a Chopin and Rachmaninov Sonatas disc; a Bartók CD on which she plays the Third Piano Concerto with the London Symphony Orchestra under Pierre Boulez; and a DVD release of Rachmaninov’s Second Piano Concerto with the Lucerne Festival Orchestra under the direction of Claudio Abbado.

Hélène Grimaud is undoubtedly a multi-faceted artist. Her deep dedication to her musical career, both in performances and recordings, is reflected and reciprocally amplified by the scope and depth of her environmental and literary pursuits.

 

August 2016