Poulenc’s Concerto for Two Pianos
Gulbenkian Orchestra
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Date
- 20:00 / Cancelled 20:00 / Sold out Thursday, 20:00
- 19:00 / Cancelled 19:00 / Sold out Friday, 19:00
Location
Grand Auditorium Calouste Gulbenkian FoundationPricing
- 24,00 € – 46,00 €
Single tickets
Online priority booking (Cartão Gulbenkian Mais): 29 Jun, 10:00
Online booking: 30 Jun, 10:00
25% – Under 30
10% – Over 65
Cartão Gulbenkian:
50% – Under 30
20% – Over 65
10% – 30 to 65
- Conductor
- Lucas Jussen Piano
- Arthur Jussen Piano
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Gulbenkian Orchestra
In 1962, the Calouste Gulbenkian Foundation decided to establish a permanent orchestral ensemble. Originally with only twelve musicians (strings and continuo) it was named “Orquestra de Câmara Gulbenkian”. This collective was successively enlarged and today the “Orquestra Gulbenkian” (the name it has adopted since 1971) has a permanent body of sixty instrumentalists, a number that can be expanded depending on the repertoire.
This structure allows the Gulbenkian Orchestra to interpret works from the Baroque and Classical periods, a significant part of 19th century orchestral literature and much of the music of the 20th century, including works belonging to the current repertoire of the traditional symphonic orchestras. In each season, the orchestra performs on a regular series of concerts at the Gulbenkian Grand Auditorium in Lisbon, where it has had the opportunity of working together with some of leading names of the world of music (conductors and soloists). It has also performed on numerous locations all over Portugal, in an effort to decentralize music and culture.
The orchestra has been constantly expanding its activities in the international level, performing in Europe, Asia Africa, and the Americas. In the recording field, Orquestra Gulbenkian is associated to labels as Philips, Deutsche Grammophon, Hyperion, Teldec, Erato, Adès, Nimbus, Lyrinx, Naïve and Pentatone, among others, and this activity was recognized with several international prizes.
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Hannu Lintu
Music Director
“Dynamic and sharp on the podium” (Bachtrack) and with an “extreme clarity of purpose, every detail worth noting” (Los Angeles Times), Hannu Lintu maintains his reputation as one of the world’s finest conductors. This season Lintu continues his tenures as Music Director of Orquestra Gulbenkian and Chief Conductor of Finnish National Opera and Ballet, proving himself a master of both symphonic and operatic repertoire, as well as beginning his tenures as Artistic Partner of the Lahti Symphony Orchestra and Artistic Director of the International Sibelius Festival.
Last season also saw Lintu’s appointment as Music Director of Singapore Symphony Orchestra from 2026/27, where he will appear this season for several performances, including for Haydn’s Nelson Mass and Shostakovich’s 7th Leningrad Symphony. Other highlights include returns to the BBC, St Louis, Toronto, Baltimore and Detroit Symphonies, as well as productions of Strauss’ Elektra and a world premiere of Sebastian Fagerlund’s The Morning Star at Finnish National Opera.
Symphonic highlights of recent years have seen Lintu conduct the Chicago Symphony, New York Philharmonic (including an immediate re-invitation from the orchestra to perform at Bravo! Vail Festival), Berliner Philharmoniker, The Cleveland Orchestra, Bavarian Radio Symphony Orchestra, Orchestre National de Radio France, Boston Symphony Orchestra, Swedish Radio Symphony Orchestra, BBC Symphony, Deutsches Symphonie-Orchester Berlin, Radio Filharmonisch Orkest, London Philharmonic, Atlanta Symphony Orchestra, Konzerthausorchester Berlin, St Louis Symphony, and Orchestre Symphonique de Montréal.
As an expert in both operatic as well as symphonic repertoire, Lintu’s recent opera highlights have included Enescu’s Œdipe with the Vienna Symphony at Bregenz Festspiele, Wagner’s Der fliegende Holländer at Opera de Paris and Debussy’s Pelléas et Mélisande at Bayerische Staatsoper as a guest conductor, as well as multiple productions at Finnish National Opera and Ballet, including a recent multi-season Ring Cycle, Poulenc’s Dialogues des Carmélites, Mozart’s Don Giovanni, a choregraphed reimagining of Verdi’s Messa da Requiem, Puccini’s Turandot, Richard Strauss’ Salome, and Britten’s Billy Budd.
Lintu has made several recordings for Ondine, BIS Records, Naxos, Avie Records and Hyperion Records. His diverse discography comprises recordings of Magnus Lindberg’s orchestral works, the complete Beethoven Piano Concertos with Stephen Hough, and Lutoslawski’s Symphonies Nos. 1-4, all with Finnish Radio Symphony Orchestra. His often-gilded work boasts two International Classical Music Awards and several nominations for Gramophone and GRAMMY awards in recognition of recording projects such as Bartók’s Violin Concertos with Christian Tetzlaff, works by Sibelius featuring Anne Sofie von Otter, Rautavaara’s Kaivos, and the Violin Concertos of Sibelius and Thomas Adès with Augustin Hadelich and Royal Liverpool Philharmonic Orchestra.
Lintu studied cello and piano at the Sibelius Academy, where he also later studied conducting with Jorma Panula. He participated in masterclasses with Myung-Whun Chung at L’Accademia Musicale Chigiana in Siena, Italy, and took first prize at the Nordic Conducting Competition in Bergen in 1994.
Joseph Haydn
Francis Poulenc
Wolfgang Amadeus Mozart
Francis Poulenc composed his Concerto for Two Pianos in 1932 in response to a commission from Princess Edmond de Polignac, premiering the work that same year at the Venice Festival. Generous in humour and lightness as much as in virtuosity and lyricism, the piece soon gained great popularity and is now performed at Gulbenkian Music by brothers Lucas and Arthur Jussen, a piano duo of remarkable emotional and interpretative affinity. Hannu Lintu conducts the two Dutch pianists in concert, as well as the final symphonies by Haydn and Mozart.
Sponsor Gulbenkian Music
Sponsor Piano and Orchestra Concertos
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