Músicos Do Tejo, Marcos Magalhães, Pedro Costa (realização), Marta Araújo (codireção artística)
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Date
- 21:00 / Cancelled 21:00 / Sold out Friday, 21:00
Location
Grand Auditorium Calouste Gulbenkian FoundationOS MÚSICOS DO TEJO
MARCOS MAGALHÃES (musical direction and organ)
MARTA ARAÚJO (musical co-direction and harpsichord)
PEDRO COSTA (direction)
JOÃO DIAS (setting)
LEONARDO SIMÕES (light direction)
HUGO LEITÃO (sound)
RICARDO MESQUITA (image post-production)
ERIC DA COSTA, LUNA REBELO (cenography)
DUARTE PEDROSO LIMA (assistant)
Três Irmãs
Selma Uamusse
Anastácia Carvalho
Elizabeth Pinard
O Homem com o Transístor
Costa Neto
A Mulher no Quarto Verde
Selma Uamusse
O Carocho
Fernando Guimarães
Cinema e Música – Os Músicos do Tejo convidam Pedro Costa
Henry Purcell
Fantasy upon one note
John Dowland
Mr. John Langton’s Pavan
Claudio Monteverdi
“Che veggio, ohimè, che miro?”
(Il ritorno d’ Ulisse in patria)
Franz Schubert
Prometheus, D.674 (excerto)
Luca Marenzio
Solo e pensoso (excerto)
György Kurtág
Temptavit Deus Abraham (Játékok Vol VI)
Hans Eisler
To the little radio…
(An den kleinen Radioapparat)
Johann Sebastian Bach
Fantasia e Fuga em Sol menor, BWV 542 (excerto)
Giovanni Battista Pergolesi
“Ogne Pena” (Lo frate ‘nnamorato)
Johann Sebastian Bach
Fantasia e Fuga em Sol menor, BWV 542 (excerto)
György Kurtág
Meine Festung
Verstecke
John Dowland
In darkness let me dwell
György Kurtág
Ruhelos
Johann Sebastian Bach
Fantasia e Fuga em Sol menor, BWV 542 (excerto)
Gil Scott-Heron e Brian Jackson
Pieces of a man
William Lawes
Consort sett a6: Pavan
Marc-Antoine Charpentier
“Noires Divinités” (Medée)
Biagio Marini
Passacaglia à 3 & à 4
John Dowland
Mr. John Langton’s Pavan
Hans Eisler
On Suicide
(Über den Selbstmord)
Johann Sebastian Bach
Christ lag in Todesbanden, BWV 4: Sinfonia
Based on a shared feeling, Músicos do Tejo extended an invitation to the Portuguese film director Pedro Costa to join them in a show combining music and film. “We focus a lot on past artists in our work”, explains the musical director Marcos Magalhães, “but we often find ourselves asking who today is producing such creative and ambitious works as the composers of the 17th and 18th centuries whom we so much admire.” From the answer to this question, this alliance was born.