Mahler's 3rd
Gulbenkian Orchestra and Choir / Frédéric Chaslin
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Date
- / Cancelled / Sold out
Location
Grand Auditorium Calouste Gulbenkian FoundationPricing
50% – Under 30 years old
15% – Over 65 years old
- Wiebke Lehmkuhl Contralto
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Gulbenkian Choir
Coro Gulbenkian was founded in 1964 by the Calouste Gulbenkian Foundation as a full symphonic body of around 100 singers. The choir joins the Orquestra Gulbenkian and other orchestras to perform Classical, Romantic and Contemporary choral-symphonic repertoire, but can also perform a cappella. It has performed – and often premiered – many 20th century works by Portuguese and international composers.
Coro Gulbenkian has been invited to collaborate with major international orchestras, under the direction of conductors such as Claudio Abbado, Colin Davis, John Nelson, Emmanuel Krivine, Esa-Pekka Salonen, Frans Brüggen, Franz Welser-Möst, Gerd Albrecht, Michael Gielen, Michael Tilson Thomas, Rafael Frübeck de Burgos, René Jacobs and Leonard Slatkin, among others.
Besides its regular season of concerts in Lisbon and frequent national tours, Coro Gulbenkian has repeatedly toured Argentina, Belgium, Brazil, Canada, Denmark, France, Germany, Hungary, India, Iraq, Israel, Italy, Japan, Macao, Malta, Monaco, Netherlands, Spain, the United Kingdom, the United States of America and Uruguay.
Coro Gulbenkian has recorded extensively for Philips, Deutsche Grammophon, Erato, Cascavelle, Musifrance, as well as FNAC-Music, performing a wide range of repertoire, from Early-Renaissance polyphony to Xenakis. Several of these albums received international awards.
Michel Corboz was the Principal Conductor between 1969 and 2019. Jorge Matta and Inês Tavares Lopes are currently the Associate and Assistant conductors, respectively.
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Gulbenkian Orchestra
In 1962, the Calouste Gulbenkian Foundation decided to establish a permanent orchestral ensemble. Originally with only twelve musicians (strings and continuo) it was named “Orquestra de Câmara Gulbenkian”. This collective was successively enlarged and today the “Orquestra Gulbenkian” (the name it has adopted since 1971) has a permanent body of sixty instrumentalists, a number that can be expanded depending on the repertoire.
This structure allows the Gulbenkian Orchestra to interpret works from the Baroque and Classical periods, a significant part of 19th century orchestral literature and much of the music of the 20th century, including works belonging to the current repertoire of the traditional symphonic orchestras. In each season, the orchestra performs on a regular series of concerts at the Gulbenkian Grand Auditorium in Lisbon, where it has had the opportunity of working together with some of leading names of the world of music (conductors and soloists). It has also performed on numerous locations all over Portugal, in an effort to decentralize music and culture.
The orchestra has been constantly expanding its activities in the international level, performing in Europe, Asia Africa, and the Americas. In the recording field, Orquestra Gulbenkian is associated to labels as Philips, Deutsche Grammophon, Hyperion, Teldec, Erato, Adès, Nimbus, Lyrinx, Naïve and Pentatone, among others, and this activity was recognized with several international prizes.
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Coro Infantil e Juvenil do Instituto Gregoriano de Lisboa
O Coro Infantil e o Coro Juvenil são coros curriculares da escola artística do Instituto Gregoriano de Lisboa, tendo o Coro Juvenil sido criado pela professora Filipa Palhares em 2014, com o objetivo de permitir aos alunos desta escola uma prática avançada do repertório coral para vozes iguais. Apresentam-se regularmente em concertos, autonomamente ou em parceria com orquestras, tais como a Orquestra Sinfónica Portuguesa, a Orquestra Metropolitana de Lisboa ou a Orquestra Gulbenkian, onde participaram em obras como War Requiem de Britten, 3.ª Sinfonia de Mahler, Carmina Burana de Orff, Mass de Bernstein e a ópera Onehama de Ripper.
Os coros têm-se dedicado à interpretação da música de compositores portugueses contemporâneos para vozes jovens, tendo estreado diversas obras de Alfredo Teixeira, Sérgio Azevedo e Nuno da Rocha. Com deste último, gravaram o CD “Mesmo que faça frio”, em 2016, e em 2019 participaram na gravação do álbum “O que será do rio”, nomeadamente em Alcippe, com a orquestra barroca Divino Sospiro.
Os coros têm participado em concursos internacionais, sendo de destacar as diversas medalhas de ouro recebidas em todas as edições do Festival Coral de Verão de Lisboa, desde 2012; o primeiro prémio no Certamen Juvenil Internacional de Habaneras de Torrevieja, em Espanha, em 2015; a medalha de prata nos World Choir Games, na África do Sul, em 2018; e três medalhas de ouro nos European Choir Games, em Gotemburgo, na Suécia, em 2019, tendo vencido a categoria de música sacra com acompanhamento. Os coros são dirigidos pela Maestra Filipa Palhares.
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Frédéric Chaslin
Conductor
Conductor, composer, pianist and author, Frédéric Chaslin was born in Paris and educated at the Paris Conservatoire and the Salzburg Mozarteum. He began his conducting career in 1989 as assistant to Daniel Barenboim in Paris and Bayreuth. He became Pierre Boulez’s assistant at the Ensemble Intercontemporain in Paris in 1991. He became successively Music Director of the Opera in Rouen (1991-94), the Jerusalem Symphony Orchestra (1998-2001), the Mannheim Nationaltheater (2004-2007), the Santa Fe Opera (2009-2013) and for his second tenure, the Jerusalem Symphony (since 2011) Frederic Chaslin divides his activities equaly between operatic and symphonic performances. At the opera, he conducted the major companies in the world, New York Metropolitan (since 2002), Los Angeles Opera, Berlin Deutsche Oper, Munich Bayerische Staatsoper, as well as Leipzig, Dresden, Madrid, Bologna, Roma, Venice, Torino, Tokyo, Oslo, Copenhagen.
In 1993, Frederic Chaslin made his debuts at the Bregenzer Festspiele for Nabucco (93, 94) and Fidelio (95, 96). This started his austrian carreer, followed by the Vienna State Opera were he’s conducted since 1997 over 200 performances. In the symphonic repertoire, he’s conducted all major french orchestras (Orchestre de Paris, Orchestra National, Radio-France Philharmonic, Paris Opera Orchestra), the Milan Scala Philharmonic, Torino Rai, Manchester Hallé, London Philhramonia, London Symphony, Vienna Symphony, Vienna Philharmonic, Spain National Orchestra, Gulbenkian Foundation Orchestra (Lisbon), Israel Philharmonic, Nagoya Philharmonic.
He performed several piano concertos as a conductor/pianist (Ravel 2 piano concertos, Beethoven 5 piano concertos, No 5 with the Vienna Philharmonic in 2001 at the Vienna State Opera).
As a composer, Frederic Chaslin wrote 3 operas and over 50 melodies for soprano, mezzo and baritone. Excerpts of this operas have been sung and recorded by the most famous sopranos (Netrebko, Dessay, Peretyatko, and Damrau who recorded some arias in her CD « Damrau Forver»).
Symphonic compositions include the « Gipsy Dance » for violon and orchestra and a cello concerto. As an author, Frederic Chaslin wrote an essay, « Music in Every Sense » published in Paris (France-Empire) and Germany (Böhlau). He also released a novel based on the life of Gustav Mahler, together with his own orchestration of Mahler’s 10th symphony.
Major recent appearences were two new productions of Tales of Hoffman in Dresden and Copenhagen; Faust, L’Elisir d’Amore, Turandot, Don Pasquale at the Wiener Staatsoper; La damnation de Faust in Lisbon; concerts with Jerusalem Symphony Orchestra.
Gustav Mahler
Symphony No. 3, in D minor
* Due to reasons of force majeure, conductor Pablo Heras-Casado will be replaced by Frédéric Chaslin.
In his Symphony No. 3, his longest and most expansive, Mahler was inspired by a passage from Nietzsche’s Thus Spake Zarathustra and a series of folk poems which he set to music while writing the symphony. Finding links in the sounds of nature, representatives of a world in tumult, Mahler wished to allude to the turbulent life on Earth before the arrival of eternal paradise. At Gulbenkian Música, he will play with the acclaimed Wiebke Lehmkuhl, a regular performer at the Bayreuth Festival, conducted by Frédéric Chaslin.
Gulbenkian Music Sponsor
Gulbenkian Orchestra Sponsor
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