Mahler's 1st
Gulbenkian Orchestra
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Date
- 20:00 / Cancelled 20:00 / Sold out Wednesday, 20:00
- 20:00 / Cancelled 20:00 / Sold out Thursday, 20:00
- 19:00 / Cancelled 19:00 / Sold out Friday, 19:00
Location
Grand Auditorium Calouste Gulbenkian FoundationThis concert will be broadcast live here on 8 March at 19:00.
Pricing
25% – Under 30
10% – Over 65
Cartão Gulbenkian:
50% – Under 30
15% – Over 65
- Conductor
- Violin
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Gulbenkian Orchestra
In 1962, the Calouste Gulbenkian Foundation decided to establish a permanent orchestral ensemble. Originally with only twelve musicians (strings and continuo) it was named “Orquestra de Câmara Gulbenkian”. This collective was successively enlarged and today the “Orquestra Gulbenkian” (the name it has adopted since 1971) has a permanent body of sixty instrumentalists, a number that can be expanded depending on the repertoire.
This structure allows the Gulbenkian Orchestra to interpret works from the Baroque and Classical periods, a significant part of 19th century orchestral literature and much of the music of the 20th century, including works belonging to the current repertoire of the traditional symphonic orchestras. In each season, the orchestra performs on a regular series of concerts at the Gulbenkian Grand Auditorium in Lisbon, where it has had the opportunity of working together with some of leading names of the world of music (conductors and soloists). It has also performed on numerous locations all over Portugal, in an effort to decentralize music and culture.
The orchestra has been constantly expanding its activities in the international level, performing in Europe, Asia Africa, and the Americas. In the recording field, Orquestra Gulbenkian is associated to labels as Philips, Deutsche Grammophon, Hyperion, Teldec, Erato, Adès, Nimbus, Lyrinx, Naïve and Pentatone, among others, and this activity was recognized with several international prizes.
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Giancarlo Guerrero
Conductor
Giancarlo Guerrero is a six-time GRAMMY® Award-winning conductor whose imaginative programming and “curatorial and interpretive creativity” (Chicago Tribune) draw out of his orchestras “exceptionally powerful and enchanting performances” (BBC Music Magazine). His contagious enthusiasm on the podium has led critics to praise his “clear and exacting beat and a gift for shifting between ferocity and tenderness” (San Francisco Chronicle) and his style that is “at once vigorous, passionate, and nuanced” (BachTrack).
2025 marks Guerrero’s first season as Artistic Director and Principal Conductor of the Grant Park Music Festival in Chicago. Guerrero also takes on the role of Music Director of Sarasota Orchestra in the 2025-26 season, becoming the seventh conductor to hold the appointment since the Orchestra’s founding in 1949.
Guerrero transitions this season to the position of Music Director Laureate with the Nashville Symphony after a sixteen-year tenure, during which he championed the works of prominent American composers through commissions, recordings, and world premieres. Under Guerrero’s direction, the Nashville Symphony commissioned and premiered nearly two dozen pieces – including works by Béla Fleck, Ben Folds, Jennifer Higdon, Hannibal Lokumbe, and Terry Riley – and released twenty-one commercial recordings, which have garnered thirteen GRAMMY® nominations and six GRAMMY® Awards across multiple categories. He also guided the creation of the Symphony’s biannual Composer Lab & Workshop alongside Aaron Jay Kernis.
In the 2025-26 season, Guerrero adds to his extensive discography with the Nashville Symphony with the release of Gabriela Lena Frank’s Conquest Requiem and a recording of concertos by Jennifer Higdon, Brad Warnaar, and Chick Corea, out in November and December 2025, respectively on Naxos American Classics. He also conducts the Symphony in three programs and a gala concert featuring Renée Fleming.
Guerrero’s guest appearances this season include engagements with the Cincinnati Symphony Orchestra, Atlanta Symphony Orchestra, and the symphonies of Eugene and Grand Rapids, with international engagements including the Deutsches Symphonie Orchester Berlin, Gulbenkian Orchestra in Lisbon, and the Romanian National Orchestra in Bucharest, where he conducts a concert performance of Shostakovich’s opera Lady Macbeth of Mtsensk.
In recent seasons, Guerrero has been seen with prominent North American orchestras, including the New York Philharmonic, San Francisco Symphony, Boston Symphony, National Symphony Orchestra, and those of Baltimore, Chicago, Cleveland, Dallas, Detroit, Indianapolis, Los Angeles, Milwaukee, Montréal, Philadelphia, Seattle, Toronto, Vancouver, and Houston. Internationally, he has worked with the Bilbao Symphony Orchestra, Deutsche Radio Philharmonie in Saarbrücken, Frankfurt Radio Symphony, London Philharmonic, Orchestre National de France, Orchestre Philharmonique de Radio France, Netherlands Philharmonic, NDR Radiophilharmonie, Orquestra Sinfonica do Estado de São Paulo in Brazil, Orquesta Sinfónica de Galicia, Frankfurt Opera and Museum Orchestra, and New Zealand Symphony as well as Sydney Symphony and Queensland Symphony in Australia.
Guerrero also conducts concerts with the NFM Wrocław Philharmonic this season, where he recently completed a six-season tenure as Music Director. With that orchestra, Guerrero made several recordings, including the Billboard chart-topping Bomsori: Violin on Stage on Deutsche Grammophon and albums of repertoire by Szymanowski, Brahms, Poulenc and Jongen.
Guerrero previously held posts as the Principal Guest Conductor of both The Cleveland Orchestra, Miami Residency and the Gulbenkian Symphony in Lisbon, Music Director of the Eugene Symphony, and Associate Conductor of the Minnesota Orchestra.
Born in Nicaragua, Guerrero immigrated during his childhood to Costa Rica, where he joined the local youth symphony. He studied percussion and conducting at Baylor University in Texas and earned his master’s degree in conducting at Northwestern. Given his beginnings in civic youth orchestras, Guerrero is particularly engaged with conducting training orchestras and has worked with the Curtis School of Music, Colburn School in Los Angeles, The Juilliard School, National Youth Orchestra (NYO2) and Yale Philharmonia, as well as with the Nashville Symphony’s Accelerando program, which provides an intensive music education to promising young students from diverse ethnic backgrounds.
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Karen Gomyo
Violin
Karen Gomyo, “a first-rate artist of real musical command, vitality, brilliance and intensity.” (The Chicago Tribune), possesses a rare ability to captivate and connect intimately with audiences through her deeply emotional and heartfelt performances. With a flawless command of the instrument and an elegance of expression, she is one of today’s leading violinists.
Karen’s 2023/24 season engagements include her debuts with the Chicago Symphony Orchestra with John Storgårds, Gewandhausorchester Leipzig with Semyon Bychkov; and the National Symphony Orchestra of Ireland with Lio Kuokman. She also appears with the Mozarteumorchester Salzburg with Constantinos Carydis, BBC Philharmonic Orchestra with John Storgårds, Gulbenkian Orchestra with Giancarlo Guerrero, Orquesta Sinfónica de Bilbao with composer/conductor Samy Moussa, and the Vancouver Symphony with Gerard Schwarz. In February 2024, Karen will return to the Dallas Symphony Orchestra for the world premiere of Year 2020, a Concerto for Trumpet, Violin and Orchestra by Xi Wang, with trumpeter Tine Thing Helseth and conductor Fabio Luisi. Together with conductor Jakub Hrůša, with whom she collaborates regularly, Karen will return to Japan to perform with the Tokyo Metropolitan Symphony Orchestra.
Further afield, Karen continues to be sought after in Australasia, and will be touring the region in August and September 2024, returning to the Singapore, Melbourne, Sydney, Tasmanian and West Australian symphony orchestras.
Highlights of recent seasons include Karen’s subscription debuts with the New York Philharmonic, Pittsburgh Symphony, Orquesta Nacional de España, the Czech Philharmonic and Rome’s Accademia Nazionale di Santa Cecilia. Karen also returned to the Los Angeles Philharmonic under Gustavo Dudamel at the Hollywood Bowl, the Orchestre Philharmonique de Radio France in Paris under Mikko Franck and the WDR Sinfonieorchester Köln with Cristian Macelaru.
As a passionate chamber musician, Karen has had the pleasure of performing with artists such as Olli Mustonen, Leif Ove Andsnes, Enrico Pace, James Ehnes, Noah Bendix-Balgley, Daishin Kashimoto, Emmanuel Pahud, Julian Steckel, the late Heinrich Schiff, mezzo-soprano Susan Graham, and guitarist Ismo Eskelinen with whom she has recorded the duo album Carnival on Bis Records.
She is also a champion of the Nuevo Tango music of Astor Piazzolla. She regularly collaborates with Piazzolla’s long-time pianist and tango legend, Pablo Ziegler, as well as with bandoneon players, Hector del Curto, JP Jofre, and Marcelo Nisinman. In 2021 Karen released A Piazzolla Triology (BIS Records), recorded with the Strings of Orchestre National des Pays de la Loire and guitarist Stephanie Jones.
Renowned for her commitment to commissioning new repertoire, Karen has given the US premieres of Samy Moussa’s Violin Concerto ‘Adrano’ with the Pittsburgh Symphony - and Matthias Pintscher’s Concerto No. 2 ‘Mar’eh’ with the National Symphony Orchestra in Washington under the baton of the composer. In May 2018, she performed the world premiere of Samuel Adams’ new Chamber Concerto with members of the Chicago Symphony Orchestra and Esa-Pekka Salonen, a work written specifically for Karen and commissioned by the CSO’s ‘Music Now’ series for their 20th anniversary.
Born in Tokyo, Karen began her musical career in Montréal and New York, She studied under the legendary pedagogue Dorothy DeLay at the Juilliard School before continuing her studies at the Indiana University Jacobs School of Music and New England Conservatory. Karen also participated as violinist, host, and narrator in a documentary film produced by NHK Japan about Antonio Stradivarius called The Mysteries of the Supreme Violin, which was broadcast worldwide on NHK WORLD.
Max Bruch
Violin Concerto No. 1, in G minor, op. 26
— Intermission 20 min —
Gustav Mahler
Symphony No. 1, in D major
TRANSMISSION
https://www.youtube.com/watch?v=6Ek5Izv-dBA
Mahler is one of the composers Giancarlo Guerrero feels closest to, and the maestro declared in an interview his natural attraction for a work that “touches on many natural and earthly themes”, and in which he also finds much of the composer’s personal universe: “desires, dreams and even frustrations from his life that are interwoven in a special way” in the music. After all, Mahler said: “a symphony must be like the world – it must contain everything”. Added to this special relationship is the vitality and brilliance of violinist Karen Gomyo, who will play Max Bruch’s Violin Concerto No. 1 in the first part.
Sponsor Gulbenkian Music
The Calouste Gulbenkian Foundation reserves the right to collect and keep records of images, sounds and voice for the diffusion and preservation of the memory of its cultural and artistic activity. For further information, please contact us through the Information Request form.