Bruckner's 7th Symphony
Gulbenkian Orchestra
Event Slider
Date
- / Cancelled / Sold out
Location
Grand Auditorium Calouste Gulbenkian FoundationThis concert will be broadcast live on 28 February at 19:00 GMT.
Pricing
- 20,00 € – 39,00 €
25% – Under 30
10% – Over 65
Cartão Gulbenkian:
50% – Under 30
15% – Over 65
- Conductor
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Gulbenkian Orchestra
In 1962, the Calouste Gulbenkian Foundation decided to establish a permanent orchestral ensemble. Originally with only twelve musicians (strings and continuo) it was named “Orquestra de Câmara Gulbenkian”. This collective was successively enlarged and today the “Orquestra Gulbenkian” (the name it has adopted since 1971) has a permanent body of sixty instrumentalists, a number that can be expanded depending on the repertoire.
This structure allows the Gulbenkian Orchestra to interpret works from the Baroque and Classical periods, a significant part of 19th century orchestral literature and much of the music of the 20th century, including works belonging to the current repertoire of the traditional symphonic orchestras. In each season, the orchestra performs on a regular series of concerts at the Gulbenkian Grand Auditorium in Lisbon, where it has had the opportunity of working together with some of leading names of the world of music (conductors and soloists). It has also performed on numerous locations all over Portugal, in an effort to decentralize music and culture.
The orchestra has been constantly expanding its activities in the international level, performing in Europe, Asia Africa, and the Americas. In the recording field, Orquestra Gulbenkian is associated to labels as Philips, Deutsche Grammophon, Hyperion, Teldec, Erato, Adès, Nimbus, Lyrinx, Naïve and Pentatone, among others, and this activity was recognized with several international prizes.
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Lawrence Renes
Conductor
Dutch-Maltese conductor Lawrence Renes garners acclaim in both operatic and symphonic realms for his remarkable talent in balancing orchestra and singers, delivering performances brimming with passion, nuance, and style.
This season sees Renes conducting Omroep Musiek and Swedish Chamber Orchestra, Singapore Symphony Orchestra, Malaysia Philharmonic Orchestra, and Melbourne and Sydney Symphony Orchestras among others. 2023/24 season highlights included New Zealand Symphony Orchestra, Tokyo Metropolitan Symphony Orchestra, Residentie Orkest, Swedish Radio Symphony Orchestra, Orchestra Filarmonica del Teatro Regio di Torino and the Auckland Philharmonic.
In recent seasons, Renes has appeared in the UK with Philharmonia Orchestra, Royal Scottish National and BBC Symphony Orchestras; in Europe with Orchestre Philharmonique de Radio France, Netherlands Radio Philharmonic, Orchestre Philharmonique de Luxembourg, Malta Philharmonic and Arctic, Oslo and Helsinki Philharmonic Orchestras; in Asia and Australasia with NHK Symphony Orchestra, the Seoul Philharmonic and New Zealand Symphony Orchestra; and in the Americas, OSESP in São Paulo and Milwaukee Symphony. Operatic engagements have included Finnish National Opera (Salome) and the premiere of George Benjamin’s Written on Skin with Shanghai Symphony Orchestra at the Beijing Music Festival. He has also conducted opera productions in Brussels, Seattle, Lisbon and Santa Fe.
Formerly Music Director of the Royal Swedish Opera, Renes’ repertoire there ranged from Mozart through to the 21st Century. An energetic champion of contemporary repertoire, he is particularly associated with the music of John Adams, having conducted productions of Nixon in China at San Francisco Opera and Doctor Atomic at both English National Opera and De Nederlandse Opera, as well as orchestral works with London and Hong Kong Philharmonic orchestras, Mahler Chamber Orchestra and Royal Stockholm Philharmonic Orchestra. He has also worked closely with Guillaume Connesson, Robin de Raaff, George Benjamin and Mark-Anthony Turnage.
Richard Wagner
Anton Bruckner
Anton Bruckner didn’t start composing regularly until he was 37, at a time when, having discovered the music of Richard Wagner, he embarked on an in-depth study of the German composer’s work. The two would meet shortly afterwards, in 1865, at the premiere of Tristan and Isolde and Wagner was a crucial motivator for Bruckner to invest in his orchestral writing. This artistic debt would be fully realised in Symphony No. 7, conducted here by Lawrence Renes, a beautiful and heartfelt homage to Wagner completed after Bruckner attended Parsifal in Bayreuth, in the final meeting between the two composers.
Sponsor Gulbenkian Music
The Calouste Gulbenkian Foundation reserves the right to collect and keep records of images, sounds and voice for the diffusion and preservation of the memory of its cultural and artistic activity. For further information, please contact us through the Information Request form.