Erik Satie must be one of the most eccentric, humorous and unique composers ever. But he is also one of those composers whose influence has been and continues to be felt in a broader way, from his contemporaries to the most recent examples of minimalist or repetitive music. In a tribute to Satie, but also to the impact his work has had on others, the pianist Anne Queffélec dedicates a whole programme to Satie & Company, seeking affinities and demonstrating the links with Ravel, Debussy and Poulenc.

Anne Queffélec Piano

Satie & Compagnie

Erik Satie
Gnossienne n.º 1

Maurice Ravel
À la manière de Chabrier

Erik Satie
Gymnopédie n.º 1

Francis Poulenc
Pastourelle

Déodat de Séverac
Où l’on entend une vieille boîte à musique

Erik Satie
Gnossienne n.º 3

Reynaldo Hahn
Hivernale
Le banc songeur

Claude Debussy
Clair de lune (Suite bergamasque n.º 3)

Gabriel Dupont
Après-midi de dimanche (Les heures dolentes n.º 5)

Erik Satie
Gymnopédie n.º 3

Charles Koechlin
Chant de pêcheurs (Paysages et Marines, op. 63 n.º 10)

Florent Schmitt
Glas (Musiques Intimes, op. 29 n.º 6)

Maurice Ravel
Miroirs