Portuguese artists in post-war London

British Art – Convergence

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We present a series of gatherings around the exhibition ‘British Art – Convergence,’ with talks about the networks resulting from the flow of artists and cultural agents between Portugal and the United Kingdom.  

This talk, with Catarina Alfaro and Leonor de Oliveira, is focused on the encounter between Portuguese artists and British art in the 1950s and 1960s and the creative relationships they established with the London art scene since then.

London’s appeal following the Second World War stemmed from the discovery of a new context and artistic references that were gaining international visibility.

In London, Portuguese artists developed their research in the field of figuration, exploring new materials, work methodologies and a critical approach to reality that combined the myths of the Portuguese past and the traumas of the present, marked by the dictatorship and, in the 1960s, by the colonial war.

This talk will cover the career paths of Bartolomeu Cid dos Santos (printmaking), João Cutileiro and Jorge Vieira (sculpture), and will focus in more detail on the particular experience of Paula Rego, who had a longer connection with England, to which she migrated at the age of 16.

It was in the British capital that Paula Rego trained in painting, established a circle of artistic relationships and found new references for her work. The exhibitions organised at Casa das Histórias Paula Rego with British artists (‘My Choice’ and ‘CAM’s British Art Collection’) point to this lasting proximity not only to the contemporary London milieu, but also to Britain’s artistic past, which reveals the Portuguese artist’s eclectic choices, always oriented towards a personal creative programme.  

The session will take place in Portuguese, with simultaneous translation into English and interpretation into Portuguese Sign Language.


Biographies


Programme

18:00 / Introduction

Ana Vasconcelos – Curator

18:05 / Portuguese artists in London in the 1950s and 1960s

Leonor Oliveira – Curator and researcher
Based on research for the book ‘Portuguese Artists in London’ (Routledge, 2020), this presentation will look at the journey and experiences of the first Portuguese artists who emigrated to London after the Second World War.
Bartolomeu Cid dos Santos, João Cutileiro, Jorge Vieira and Paula Rego were in fact the first who, rejecting the teaching methods of the Lisbon School of Fine Arts and looking for an alternative to Paris, opened a new artistic route that would be followed by a growing number of Portuguese artists over the following decades, many of them supported by grants from the Calouste Gulbenkian Foundation.
With regard to the trajectory of most of these artists, Paula Rego's path stands out, as she didn't attend art school in Portugal. Her training and many of her artistic and cultural references are closely linked to her experience in London, to which she moved as a teenager.
However, Paula Rego and the artists mentioned are closer in their experimentalism in the field of figuration, in the configuration of a critical view of the dictatorship and colonialism in Portugal, and in the deconstruction of historical narratives crystallised by the Estado Novo regime, which her experience in London helped to shape.

18:25 / British art in the exhibitions at Casa das Histórias Paula Rego

Catarina Alfaro – Art historian and curator
The Casa das Histórias Paula Rego/Fundação D. Luís I has been presenting a diverse programme of temporary exhibitions, managing the presence of works by other artists in the museum dedicated to Paula Rego's work. This programme proposes an approach to Paula Rego's wide-ranging and disseminating vision of British art.
In the exhibition 'My Choice', presented at her museum in February 2011, the artist selected works from the British Council's collection by artists associated with the London School, such as Michael Andrews, Frank Auerbach, David Bomberg, Lucian Freud, R.B. Kitaj, Leon Kossoff, Walter Richard Sickert, Stanley Spencer and Victor Willling.
With obvious generational affinities, works by David Hockney, Patrick Caulfield, Graham Sutherland and Tony Bevan were also included. But Paulo Rego’s choices went both backwards and forwards in time and were not bound by disciplinary criteria.
This talk will also focus on ‘CAM's British Art Collection’ exhibition, which was on show at Casa das Histórias Paula Rego between October 2021 and January 2022.

18:45 / Talk

Catarina Alfaro – Art historian and curatorLeonor Oliveira – Curator and researcher

19:15 / Q&A

19:30 / Closing

Duration: 90 min.

Credits

Main image

CAM's British Art Collection’ exhibition, which was on show at Casa das Histórias Paula Rego between October 2021 and January 2022. © Luísa Ferreira

The Calouste Gulbenkian Foundation reserves the right to collect and keep records of images, sounds and voice for the diffusion and preservation of the memory of its cultural and artistic activity. For further information, please contact us through the Information Request form.

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