Listening as an artistic practice
Testimonium
Event Slider
Date
- 18:00 / Cancelled 18:00 / Sold out Saturday, 18:00
Location
Studio Centro de Arte Moderna GulbenkianRaquel Castro talks to Jacob Kirkegaard about ‘Testimonium’, discussing the project developed in the Portuguese capital, as well as other works by the artist that will serve as a starting point for a broader reflection on listening, ecology and the role of sound art in the contemporary world.
Jacob Kirkegaard’s work focuses on investigating complex, remote or usually inaccessible contexts such as waste management systems, territories marked by radioactivity, thawing or industrial infrastructure, exploring sound as artistic material and as a tool for knowledge. Through vibration sensors, hydrophones and contact microphones, the artist reveals the acoustic dimensions of phenomena and materials that remain, for the most part, outside the realm of human perception.
In dialogue with curator Raquel Castro, issues such as listening as an ethical gesture, the relationship between sound art and ecological awareness, and the capacity of artistic practice to create spaces for attention, reflection and transformation will be explored.
More than an analysis of this work, this conversation is proposed as a moment of shared listening, where sound emerges as a testimony to the world we produce and inhabit.
This conversation will be followed by a performance by Jacob Kirkegaard with the sound artist Clara Saleiro.
Biographies
-

Jacob Kirkegaard
Jacob Kirkegaard (Denmark, 1975) is a sound artist who explores ways to reflect on complex, unnoticed or unapproachable conditions and environments. His works have treated themes such as radioactivity in Chernobyl, melting ice in the Arctic, border walls in global and metaphorical contexts, immersive acoustic explorations into global waste management, and processes related to when a human being dies.
Since 2006 Kirkegaard has also been extensively researching, recording and creating works using otoacoustic emissions; tones generated from the actual human ear. The core element and method of Jacob Kirkegaard’s work derive from the use of sound recordings of the tangible aspects from its intangible themes. -

Raquel Castro
Raquel Castro is a researcher, curator and director. Founder and director of Associação Sonora, the Lisboa Soa festival and the Invisible Places symposium, she holds a PhD in Communication and Arts and teaches Sound Sciences and Technologies at Universidade Lusófona de Lisboa. Over more than two decades, through her curatorial work in numerous exhibitions and the production and direction of several documentaries, she has developed a unique and independent career. Castro explores the relationship between sound art, ecology and public space and investigates the social and political dimensions that emerge through the practice of listening.
Partnership
The Calouste Gulbenkian Foundation reserves the right to collect and keep records of images, sounds and voice for the diffusion and preservation of the memory of its cultural and artistic activity. For further information, please contact us through the Information Request form.