- 1917
- Oil and collage on canvas
- Inv. 68P10
Amadeo de Souza-Cardoso
Title unknown (Máquina registadora) [Cash Register]
This collage-painting maintains a connection to popular culture which characterizes the majority of Amadeo’s works. Between other works of the same period (1917), Máquina registadora [Cash Register] distinguishes itself through the representation it proposes: it establishes the motive – the “cash register” which gives the painting its name – not only in the centre of the representation, but also in the centre of the action it articulates. This action involves the profiled figure drawn on the top left-hand corner and another to which the robotic arm, animated by Delaunayian discs, belongs. As we are confronted with a cash register, it is legitimate to presume that the action will imply some sort of commercial exchange and presupposes the agreement and acceptance of the laws of the market, which stipulate not the name of things, but their exchange value.
With this in mind, we can recognize in Cash Register at least two legitimate levels of reading. The first identifies the primacy of the referent and classifies this work as a representation, without underestimating the force of painting or the subversive trait of collage. Thus, this reading heightens the fragmentation and the intersection of the other pictorial planes, the different textures the paint acquires on these surfaces, the importance of the play of stenciled numbers and letters (but this time we do not find the stenciled “signature” of the artist), the recurrence of the motif of the Wotan lamp and the use of collage and mirrors cut into small rectangles – of which the most visible appears where we would expect to find the detailed features of the profile of the hypothetical buyer. It would, in addition, notice two relatively large areas covered in white paint, through which Amadeo introduces a kind of play between voids, apparent shapes of non-painting within painting itself (and there is, indeed, a third shape, corresponding to the register’s paper roll).
The second level of reading is more conjectural, for it remembers, beginning with this prosaic motive, that the commercial metaphor evokes, as well, part of the very etymological root of the word “representation”: a term which also assigns the idea of “complete equivalence”, like the one presumably established between money and an acquired good when one assumes that money represents the exact value of what is bought. Cash Register shows us, thus, that the capacity for analyzing the processes of significance associated to the vanguards that preceded the First World War (and particularly to the revolution of techniques of collage) does not force us to discard the reference towards the ‘real’ world. This world remains alive and relevant to the production of meaning because, as Amadeo knew, there are many ways of dislocating and questioning the hegemonic place that mimetic illusionism had assigned it, of which not all imply an ashamed retreat.
Joana Cunha Leal
Type | Value | Unit | Section |
Height | 93,3 | cm | |
Width | 76 | cm |
Type | Acquisition |
Date | 1968 |
Amadeo de Souza-Cardoso: peintre portugais, 1887-1918/ Amadeo de Souza-Cardoso: portuguese painting, 1887-1918 |
Paris, Centre Culturel Calouste Gulbenkian, 1995 |
Monograph |
amadeo de souza-cardoso |
Paris, Casa de Portugal, 1958 |
Catalogue |
amadeo de souza-cardoso |
Lisbon, SNI, 1959 |
Catalogue |
Artistas Portugueses na V Bienal de S. Paulo/ Portuguese Artists in the V S. Paulo Biennale |
São Paulo, Museu de Arte Moderna, 1959 |
Catalogue |
Art Portugais - Peinture et Sculpture du Naturalisme à nos jours/ Portuguese Art - Painting and Sculpture from Naturalism to the present day |
Brussels, Palais des Beaux-Arts, 1967 |
Catalogue |
Aquisições da Fundação Calouste Gulbenkian em Paris: Columbano, Sousa Lopes, Francisco Smith, Souza-Cardoso, Vieira da Silva/ Acquisitions of the Calouste Gulbenkian Foundation in Paris: Columbano, Sousa Lopes, Francisco Smith, Souza-Cardoso, Vieira da Silva |
Lisbon, Fundação Calouste Gulbenkian, 1969 |
Catalogue |
Roteiro do Centro de Arte Moderna/ Guide of the Modern Art Centre |
Lisbon, Fundação Calouste Gulbenkian, Centro de Arte Moderna, 1985 |
Guide |
Il Portogallo a Milano |
Milan, Electa, 1985 |
Catalogue |
Futurismo & Futurismi |
Milan, Bompiani, 1986 |
Catalogue |
Amadeo de Souza-Cardoso, 1887-1918 |
Brussels, Europália, 1991 |
Catalogue |
Amadeo de Souza-Cardoso, 1887-1918 |
Porto, Fundação de Serralves, 1992 |
Catalogue |
Tradición, vanguarda e modernidade do século XX portugués/ Tradition, avant-garde and modernity in the portuguese XX century |
Santiago de Compostela, Consorcio da Cidade, 1993 |
Catalogue |
Arte moderna portuguesa no tempo de Fernando Pessoa, 1910 -1940/ Portuguese modern art in the era of Fernando Pessoa, 1910-1940 |
Kilchberg, Stemmle, 1997 |
Catalogue |
Amadeo de Souza-Cardoso |
Madrid, Fundación Juan March, 1998 |
Catalogue |
At the edge: a portuguese futurist: Amadeo de Souza-Cardoso |
Lisbon, Ministério da Cultura, Gabinete das Relações Internacionais; Washington : The Corcoran, 1999 |
Catalogue |
Cinco pintores da modernidade portuguesa: 1911-1965/ Five painters of portuguese modernity: 1911-1965 |
Barcelona, Fundació Caixa Catalunya, 2004 |
Catalogue |
Amadeo de Souza-Cardoso |
Lisbon, Sul, 1956 |
Monograph |
Sinteses=Arte+António Cardoso/ Sinteses=Art+António Cardoso |
[s.l.], Gémeo, 2004 |
Monograph |
1887-1987 centenário do nascimento de amadeo de souza- cardoso/ 1887-1987 birth centenary of amadeo de souza-cardoso |
Lisbon, Fundação Calouste Gulbenkian, 1987 |
Catalogue |
Dicionário da Arte e dos artistas/ Dictionary of Art and Artists |
Lisbon, Edições 70, 1989 |
Dictionary |
Amadeo de Souza-Cardoso: o português à força & Almada Negreiros: o português sem mestre/ Amadeo de Souza-Cardoso: the forceful portuguese & Almada Negreiros: the portuguese without a master |
Venda Nova, Bertrand, 1986 |
Monograph |
Amadeo de Souza-Cardoso: diálogo de vanguardas/ Amadeo de Souza-Cardoso: avant-garde dialogues |
Lisbon, Fundação Calouste Gulbenkian. Centro de Arte Moderna José de Azeredo Perdigão, Assírio & Alvim, 2006 |
Catalogue |
Amadeo de Souza-Cardoso (1887-1918): Ein pionier aus Portugal/ Amadeo de Souza-Cardoso (1887-1918): A pioneer from Portugal |
Hamburg, Ernst Barlach Haus, 2007 |
Catalogue |
Capolavori dell'Arte Europea: I 27 celebarno il cinquantesimo anniversario dei Trattati di Roma/ Masterpieces of European Art: 50th Anniversary of the Treaty of Rome |
Rome, MondoMostre, 2007 |
Catalogue |
amadeo de souza-cardoso |
Paulo Ferreira |
23 January to 18 March 1958 Casa de Portugal |
19 May to 31 May 1956 Dominguez Alvarez Gallery |
Amadeo de Souza-Cardoso, 1887-1918 |
27 September to 8 December 1991 Museum of Modern Art |
5 March to 19 April 1992 Serralves Foundation |
Event integrated in Europália 91. |
Aquisições da Fundação Calouste Gulbenkian em Paris/ Acquisitions of the Calouste Gulbenkian Foundation in Paris |
Calouste Gulbenkian Foundation |
Curator: A definir |
1969 Calouste Gulbenkian Foundation |
Art Portugais - Peinture et Sculpture du Naturalisme à nos jours/ Portuguese Art - Painting and Sculpture from Naturalism to the present day |
Calouste Gulbenkian Foundation |
October to November 1967 Museum of Fine Arts, Brussels |
April to May 1968 Casón del Buen Retiro |
30 January to 25 February 1968 Portuguese Cultural Centre, Calouste Gulbenkian Foundation |
Commissioner: Fernando de Azevedo. Brussels, Paris, Madrid, October 1967 to May 1968. |
At the edge: a portuguese futurist: Amadeo de Souza-Cardoso |
20 January to 17 March 2000 The Arts Club of Chicago |
11 September to 28 November 1999 The Corcoran Gallery of Art |
Futurismo & Futurismi |
1986 Grassi Palace |
Il Portugallo a Milano |
7 March to 21 April to 1985 Palazzo Reale, Royal Palace |
Artistas Portugueses na V Bienal de S. Paulo/ Portuguese Artists in the V S. Paulo Biennale |
September to December 1959 São Paulo Museum of Modern Art |
amadeo de souza-cardoso |
Paulo Ferreira |
May 1959 National Information Secretariat - Foz Palace, Lisbon |
June 1959 National Museum Soares dos Reis, Porto |
Tradición, vanguarda e modernidade do século XX portugués/ Tradition, avant-garde and modernity in the portuguese XX century |
Curator: José Luiz Vásquez Montero |
July to August 1993 Galicia Auditorium, Isacc Díaz Pardo Exhibition room |
Arte moderna portuguesa no tempo de Fernando Pessoa, 1910 -1940/ Portuguese modern art in the era of Fernando Pessoa, 1910-1940 |
18 December 1997 to 12 February 1998 Belém Cultural Centre |
20 September to 30 November 1997 Schirn Kunsthalle |
Amadeo de Souza-Cardoso |
16 January to 1 March 1998 Juan March Foundation |
Exhibition co-oragnized by the José Azeredo Perdigão Modern Art Centre (CAMJAP) of the Calouste Gulbenkian Foundation. |
1887-1987 centenário do nascimento de amadeo de souza- cardoso/ 1887-1987 birth centenary of amadeo de souza-cardoso |
Calouste Gulbenkian Foundation |
Curator: Calouste Gulbenkian Foundation |
20 July 1987 to 31 October 1987 Calouste Gulbenkian Foundation |
José de Azeredo Perdigão Modern Art Centre (CAMJAP) |
Amadeo de Souza-Cardoso: diálogo de vanguardas/ Amadeo de Souza-Cardoso: avant-garde dialogues |
Curator: FREITAS, Helena de |
15 November 2006 to 15 January 2007 Calouste Gulbenkian Foundation |
Capolavori dell'Arte Europea/ Masterpieces of European Art |
23 March to 20 May 2007 Quirinale Palace, Corazzieri room |
Amadeo de Souza-Cardoso (1887-1918): Ein pionier aus Portugal/ Amadeo de Souza-Cardoso (1887-1918): A pioneer from Portugal |
2 December 2007 to 30 March 2008 Ernst Barlach Haus |