• 1912
  • Canvas and Charcoal
  • Oil
  • Inv. 86P153

Amadeo de Souza-Cardoso

Le Prince et la Meute [The Prince and the Hounds]

Le Prince et la Meute, one of eight works that Amadeo took to the historic Armory Show in 1913, which shocked the observers given the intensity of its cubist spatial disorientations and decompositions. The most expensive of this artist’s works in the show, it was the only one that remained unsold. The origin of the composition lies in one of the illustrations for Flaubert’s La légende de Saint Julien l’hospitalier, which Amadeo published in the same year, although the motif of the mounted figure, in which the animal embodies the dynamic force of the image, is of particular importance in Amadeo’s work as an element of his personal mythology and a constant theme which underwent the most drastic visual reinventions between 1911 and 1913, as in this phase of extreme geometrization. Horses were a recurring theme in the iconography of the avant-gardes in the first half of the 1910s (e.g. Boccioni, Duchamp-Villon, Kandinsky, Macke, Marc or Severini*) and Amadeo’s treatment of them produced unexpected results, ranging from Avant la corrida, which was exhibited alongside this work and is formally linked to it, to works such as Don Quixote or (Cavaliers).

 

Occupying the centre of the painting, a highly adorned and mannerist prince poses haughtily on horseback. Both rider and animal are in profile, bringing together, with mathematical rigour, a symmetrical pack of greyhounds and what might be rabbits and a falcon at their side. These are the usual inhabitants of the medieval imagery which Amadeo insistently defined that year in fictitious, exotic forest settings featuring copious flora and fauna and vibrant colours. However, this eccentric programme of Amadeo's, with all of its paradoxes and anachronisms, co-exists here with an intense geometrization of space in an attempt, shared by other avant-garde artists, to ‘separate the visual elements of reality’.** This confrontation becomes apparent in the schematic foliage that is repeated in every part of the work, in the essentiality of the intersecting lines with which the greyhounds are drawn, and in the handling of the pose and perspective of the horse, through which multiple planes and volumes are generated which distil the scene into slender lines and elegant arcs that rhythmically structure the architecture of the image. The particular hybridity surrounding this futurist prince, with all of the paradoxes and anachronisms that accompany it, marks a turning point in the deconstruction of Amadeo's personal imagery as a process by which geometric experiments are created, which might explain why Amadeo held this work in such high esteem.

Afonso Ramos

July 2013

 

 

* Cf. Javier Arnaldo (coord.), ¡1914! La Vanguardia y la Gran Guerra, Madrid: Museo Thyssen-Bornemisza, 2009.

 

** ‘Around 1910, in line with an interpretation whose meaning has never been investigated, first Picasso and Georges Braque, and then Robert Delaunay, Juan Gris, Albert Gleizes, Jean Metzinger, Fernand Léger, followed, a few years later, by […] de Souza-Cardoso, Marcel Duchamp, Picabia, and Filla, devoted themselves to separating the visual elements of reality, using the principle of the rupture of the line adopted by fauvism. Each artist contributed to the development of this general trend.’ – Maurice Raynal, L’Intransigeant, 16 June 1925.

TypeValueUnitSection
Width80,5cm
Height99,5cm
Typesigned and dated
Text"A. de S. Cardoso/ Paris 1912"
Positionbottom right-hand corrner 
TypeAcquisition
Date01-05-1987
Hors catalogue: un projet Gulbenkian à propos de sa collection/ Hors catalogue: A Gulbenkian project for the purpose of its collection
Amiens, Maison de la Culture d'Amiens, 1997
ISBN:2 903082 70 8
Exhibition catalogue
Amadeo de Souza-Cardoso, 1887-1918
Lisbon, Artis, 1960
Monograph
Amadeo de Souza-Cardoso
Lisbon, Inquérito, 1972
Monograph
Amadeo de Souza-Cardoso: peintre portugais, 1887-1918/ Amadeo de Souza-Cardoso: portuguese painter, 1887-1918
Paris, Centre Culturel Calouste Gulbenkian, 1995
Monograph
International Exhibition of Modern Art
Chicago, The Art Institute of Chicago, 1913
Catalogue
Retrospective de l'Oeuvre de amadeo de souza-cardoso/ Retrospective of works by amadeo de souza-cardoso
Paris, Galerie Briant-Róbert, 1925
Catalogue
Amadeo de Souza-Cardoso: a primeira descoberta de Portugal na Europa no século XX/ Amadeo de Souza-Cardoso: Portugal's first discovery in Europe in the XX century
Lisbon, Fundação Calouste Gulbenkian. Centro de Arte Moderna, 1983
Catalogue
Amadeo
Rome, Companhia de Seguros Bonança, 1988
Catalogue
At the edge: a portuguese futurist: Amadeo de Souza-Cardoso
Lisbon, Ministério da Cultura, Gabinete das Relações Internacionais; Washington : The Corcoran, 1999
Catalogue
Amadeo de Souza-Cardoso
Lisbon, Sul, 1956
Monograph
A arte em Portugal no século XX, 1911-1961/ Art in Portugal in the XX century, 1911-1961
Lisbon, Bertrand, 1985
Monograph
1887-1987 centenário do nascimento de amadeo de souza- cardoso/ 1887-1987 birth centenary of amadeo de souza-cardoso
Lisbon, Fundação Calouste Gulbenkian, 1987
Catalogue
Amadeo de Souza-Cardoso: o português à força & Almada Negreiros: o português sem mestre/ Amadeo de Souza-Cardoso: the forceful portuguese & Almada Negreiros: the portuguese without a master
Venda Nova, Bertrand, 1986
Monograph
Amadeo de Souza-Cardoso: diálogo de vanguardas/ Amadeo de Souza-Cardoso: avant-garde dialogues
Lisbon, Fundação Calouste Gulbenkian. Centro de Arte Moderna José de Azeredo Perdigão, Assírio & Alvim, 2006
Catalogue
Amadeo de Souza-Cardoso: Fotobiografia: Catálogo raisonné. Vol. I/ Amadeo de Souza-Cardoso: Photobiography: Catalogue raisonné. Vol. I
Lisbon, Centro de Arte Moderna José de Azeredo Perdigão, Fundação Calouste Gulbenkian; Assírio & Alvim, 2007
Monograph
Amadeo de Souza-Cardoso (1887-1918): Ein pionier aus Portugal/ Amadeo de Souza-Cardoso (1887-1918): A pioneer from Portugal
Hamburg, Ernst Barlach Haus, 2007
Catalogue
International Exhibition of Modern Art, Under the Auspices of Association of American Painters and Sculptors
Boston, Copley Society of Boston, 1913
Catalogue
1914! La vanguardia y la gran guerra/ 1914! The avant-garde and the great war
Madrid, Fundación Colección Thyssen-Bornemisza, 2008
Catalogue
Amadeo de Souza-Cardoso: a primeira descoberta de Portugal na Europa no século XX/ Amadeo de Souza-Cardoso: Portugal's first discovery in Europe in the XX century
Calouste Gulbenkian Foundation
Curator: Paulo Ferreira
July to December 1983
Modern Art Centre (CAM) of the Calouste Gulbenkian Foundation
At the edge: a portuguese futurist: Amadeo de Souza-Cardoso
20 January to 17 March 2000
The Arts Club of Chicago
11 September to 28 November 1999
The Corcoran Gallery of Art
International Exhibition of Modern Art (Armory Show)
17 February to 15 March 1913
Armory of the 69th Infantry
24 March to 16 April 1913
The Art Institute of Chicago
28 April to 18 May 1913
Copley Hall
Retrospective de l'Oeuvre de Amadeo de Souza-Cardoso/ Retrospective of works by Amadeo de Souza-Cardoso
22 May to 13 June 1925
Briant - Robert Gallery
Amadeo
11 June to 3 July 1988
Lazzarini Palace
Hors catalogue: un projet Gulbenkian à propos de sa collection/ Hors catalogue: A Gulbenkian project for the purpose of its collection
1996
Maison de la Culture d'Amiens
1887-1987 centenário do nascimento de amadeo de souza- cardoso/ 1887-1987 birth centenary of amadeo de souza-cardoso
Calouste Gulbenkian Foundation
Curator: Calouste Gulbenkian Foundation
20 July to 31 October 1987
Calouste Gulbenkian Foundation
Centro de Arte Moderna José de Azeredo Perdigão/ José de Azeredo Perdigão Modern Art Centre (CAMJAP)
Amadeo de Souza-Cardoso: diálogo de vanguardas/ Amadeo de Souza-Cardoso: avant-garde dialogues
Curator: FREITAS, Helena de
15 November 2006 to 15 January 2007
Calouste Gulbenkian Foundation
Amadeo de Souza-Cardoso (1887-1918): Ein pionier aus Portugal/ Amadeo de Souza-Cardoso (1887-1918): A pioneer from Portugal
2 December 2007 to 30 March 2008
Ernst Barlach Haus
1914! La vanguardia y la gran guerra/ 1914! The avant-garde and the great war
6 October 2008 to 11 January 2009
Thyssen Bornemisza Museum
Updated on 23 january 2015

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