• 1961
  • Canvas
  • Collage, Oil and Wood
  • Inv. PE168

Peter Phillips

For Men Only – Starring MM and BB

For Men Only – Starring MM and BB, one of Peter Phillips early works, created while he was still a student at the Royal College, demonstrates Phillips’ familiarity with technical design and the graphic arts, as well as with the conceptual power of collage. On a wooden panel of monumental proportions meet media icons and cultural emblems, disparate and strikingly contradictory. In a manner parallel to that of Peter Blake’s, Phillips adroitly incorporates into a single framework the photographic representations of the age’s stereotypical sex symbols, movie stars Brigitte Bardot and Marilyn Monroe, snapshots from performances of a famous stripper of the time and traditional symbols. The image of the hare is borrowed from a Victorian game and it bears the words “she’s a doll” followed by the stripper’s name.

The work’s title reinforces the stereotypical meaning imparted to symbols that are to be represented and introduces the element of irony with regard to the new codes of sexuality that were being formulated at the time. Multiple images, whose representation departs from the original, differing in terms of both content and viewpoint, seem to be oscillating between the critical and the humorous. Phillips presents us with a hybrid image that does not exclude tradition. On the contrary, in being a token of the artist’s academic background it draws the image of the two famous stars inside a schematic framework that is reminiscent of religious icons, while the elaborate composition as a whole shares a common structure with pre-Renaissance woodcuts. Phillips had great respect for the historical tradition of western art and experimented with juxtaposing it to contemporary developments. In a way he was a precursor of the hybrid semiotics that the discourse of postmodernism examined at length and promoted.

For Men Only – Starring MM and BB best illustrates the influence exerted on Phillips’ work by that of American contemporaries such as Jasper Johns, Robert Rauschenberg and Larry Rivers. Phillips’ own perception of the artist’s initial intentions when setting out to create a work of painting echoes Johns’ view regarding the act of creating a “semblance” of the image by means of semiotic stylization. Like Johns, Phillips was also interested in the problematic concerning the relationship of analogy between representation and the original; for him representation should not necessarily denote a copy, but rather a surrogate for the original. It is in fact a conceptual game through which methods adopted and interventions made produce change, variation in and transference of similarities. In the end, the work’s content can also assume the function of form, while technique can ultimately prove to be what the work is about.*

 

Margarita Kataga
May 2010

 

* Fred Orton, «The Object After Theory», in De-, Dis-, Ex-, Excavating Modernism, edited by Alex Coles & Richard Bentley, published by BACKless Books in association with Black Dog Publishing, London, 1996.

TypeValueUnitSection
Width153,1cm
Height259,6cm
Depth5cm
Height262cm
Width155,5cm
TypeAcquisition
Pop Art Portraits
London, National Portrait Gallery, 2007
ISBN:978-1-85514-378-4 hardback;978-1-85514-381-4 paper
Catálogo de exposição
Exhibition of works of Contemporary Art belonging to the Calouste Gulbenkian Foundation
Lisboa, Fundação Calouste Gulbenkian, 1966
Catálogo de exposição
A Ilha do Tesouro / Treasure Island
CAMJAP/FCG
Curator: CAMJAP/FCG
7 de Fevereiro de 1997 a 4 de Maio de 1997
Todo o espaço expositivo do CAM - pisos 0, 1 e 01, e Galeria de Exposições Temporárias.
Comissários da exposição: Jorge Molder e Rui Sanches.
Metamorphosis - British Art of the Sixties: works from the collections of the British Council and the Calouste Gulbenkian Foundation
Basil & Elise Goulandris Foundation - Museum of Contemporary Art
Curator: Fleurette P. Karadontis
26 de Junho de 2005 a 25 de Setembro de 2005
Basil & Elise Goulandris Foundation - Museum of Contemporary Art
Comissários da exposição: Richard Riley, British Council, London, e Ana Vasconcelos e Melo, CAMJAP-FCG, Lisboa.
British Pop
Museo de Bellas Artes de Bilbao
Curator: Marco Livingstone
17 de Outubro de 2005 a 12 de Fevereiro de 2006
Museo de Bellas Artes de Bilbao
Exposição comissariada por Marco Livingstone.
100 Obras de Arte Britânica Contemporânea
Fundação Calouste Gulbenkian
Curator: Fundação Calouste Gulbenkian

Galeria de exposições temporárias, FCG
Exposição realizada em Janeiro 1971, na Galeria de exposições temporárias, FCG.
Exhibition of Contemporary Art belonging to the Calouste Gulbenkian Foundation
Fundação Calouste Gulbenkian
Curator: Fundação Calouste Gulbenkian
Exposição realizada pela Fundação Calouste Gulbenkian, Novembro de 1966, em Bagdade, Iraque.
Pop Art Portraits
National Portrait Gallery
Curator: Paul Moorhouse
11 de Outubro de 2007 a 20 de Janeiro de 2008
National Portrait Gallery
23 de Fevereiro de 2008 a 8 de Junho de 2008
Staatsgalerie Stuttgart
Exposição itinerante.
Pop and Popular Culture
Wolverhampton Art Gallery
Curator: Wolverhampton Art Gallery
29 de Março de 2007 a 4 de Agosto de 2007
Wolverhampton Art Gallery
Exposição que inaugura a abertura da Wolverhampton Art Gallery.
The Gulbenkian Foundation and British Art
Tate Britain
Curator: Tate Britain
1 e 10 de Março de 2006 a Fevereiro de 2007
Londres, Tate Britain
A exposição fez parte das comemorações dos 50 anos da Fundação Calouste Gulbenkian que começaram oficialmente a 18 de Julho de 2006.
Exposição Permanente do CAM
CAM/FCG
Curator: Jorge Molder
18 de Julho de 2008 a 4 de Janeiro de 2009
Centro de Arte Moderna
Exposição Permanente entre 18 de Julho de 2008 a 4 de Janeiro de 2009.
Updated on 01 may 2023

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