Vicente Megre, an aerospace engineering student, reveals his experience as part of CAM’s Youth Advisory Group, looks back on what he has learnt, and explains why he seized the opportunity to represent people from a non-artistic background as part of the Group.
Ema Gonçalves shares her drivers and expectations upon joining CAM’s Youth Advisory Group. In this interview, the young doctoral student in gender studies talks to us about the role of cultural institutions in relation to human rights issues and her vision of art as an agent of political and social change.
Rafael Oliveira is a young artist who forms part of the Youth Advisory Group. In this interview, he reveals that one thing young people want from cultural institutions is ‘to feel heard.’
Margarida Bezerra Bastos tells us about her experience working on CAM's Youth Advisory Group. In this interview, Margarida reflects on the difficulties in accessing art in the Portuguese interior and what young artists expect from cultural institutions.
Leopoldina Fekayamãle on her involvement with the CAM team through her participation in the Youth Advisory Group. Here she shares her personal experience and discusses how art allows us to talk about very important things in a poetic way.
Yeri Varela shares her experience of working with the Youth Advisory Group and the various CAM teams. In this interview, Yeri reflects on what young people are looking for in cultural institutions and tells us about her passion for participatory art and the power it has to save us.
Leonor Rosas shares her experience of the Youth Advisory Group and reflects on the challenge of attracting young audiences to cultural institutions and on the transformative power of art in society.
Joel shares his ideas, his first impressions about the experience of being a member of CAM's Youth Advisory Group and his expectations of the building's reopening.
Carolina Almeida talks about her vision and expectations for the Youth Advisory Group, the representation of young audiences in cultural institutions and the democratisation of these spaces.