Works from the CAM in the exhibition ‘All I Want’

More than 50 works from the CAM Collection join the exhibition 'All I Want. Portuguese Women Artists from 1900 to 2020', an initiative from the Ministry of Culture in partnership with the Calouste Gulbenkian Foundation.
31 may 2021

Forming part of the Cultural Programme for the Portuguese Presidency of the Council of the European Union, the exhibition All I Want. Portuguese Women Artists from 1900 to 2020 is an initiative from the Ministry of Culture which is curated by Helena de Freitas and Bruno Marchand.

 

Paula Rego, 'Mãe (Mother)', 1997. Inv. 98P605
Sarah Affonso, 'Portrait of Matilde», 1932. Inv. 83P637

 

From 2 June, visitors can explore the exhibition at the Main Gallery at the Foundation and the Temporary Exhibitions Gallery at the Calouste Gulbenkian Museum. The exhibition is organised into 16 thematic sections displaying 200 works by 40 artists, all of which were produced between the early 20th century and the present day. It showcases women artists from different generations and backgrounds, who fought to make a name for themselves and produced works of exceptional artistic quality.

 

Lourdes Castro, 'Letras e Pente [Letters and Comb', 1962. Inv. 10P1623
Helena Almeida, 'Seduzir [To Seduce]', 2002. Inv. 02FP365

 

More than 50 works from the Modern CAM Collection will be displayed. They were produced by 17 key figures in Portuguese art with a significant presence in the collection: Ana Hatherly, Ana Vieira, Clara Menéres, Fernanda Fragateiro, Helena Almeida, Joana Rosa, Lourdes Castro, Luísa Cunha, Maria Antónia Siza, Maria Helena Vieira da Silva, Maria José Aguiar, Maria José Oliveira, Mily Possoz, Ofélia Marques, Paula Rego, Salette Tavares and Sarah Affonso.

 

Mily Possoz, Untitled (detail), undated. Inv. DP53
Ofélia Marques, Untitled, undated. Inv. DP643

 

The works from the CAM collection include paintings, drawings, engravings, collages, installations, sculptures, photographs and a film. At a time when the CAM building is closed for renovations, this is an excellent opportunity for visitors to see a sizeable set of the works from the CAM collection.

Access to the exhibition is free and it can be seen at the Foundation until 23 August. Following that, it will be transported to Tours, France, where it will be presented at the Centre de Création Contemporaine Olivier Debré in 2022.

 

Maria Helena Vieira da Silva, 'História Trágico-Marítima [Tragic History of the Sea]' or 'Naufrage [Wreck]', 1944. Inv. 78PE97

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