Hinotatashi, by Fuyuki Yamakawa

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In his highly physical new performance, Fuyuki Yamakawa (b. 1973) uses his own body to connect the experience of leprosy isolation in Portugal and Japan, where, coincidentally, the laws governing this condition were passed in the same year, 1938.    

In parallel with his sound performances, Fuyuki Yamakawa has been conducting fieldwork in Japanese leprosariums and presenting works on the issue of “isolation”.

In ‘Hinotatashi’, the artist presents a performance based on this research, while drawing inspiration from the dance of Tatsumi Hijikata, the Butoh founder, who was greatly influenced by the body image of leprosy patients.

The ‘Engawa’ concept, which is the motif of CAM’s new building designed by Kengo Kuma, is a boundary space between inside and outside, but is also both interior and exterior. When using the Foyer, Yamakawa is also reflecting on the theme of topology that crosses boundaries, connecting Portugal and Japan, which are located on the western and eastern ends of Eurasia.

Engawa – A Season of Contemporary Art from Japan

‘Engawa’ is a programming that brings to Lisbon a set of creators from Japan and the Japanese diaspora, many of them for the first time in Portugal. More info

Duration: 60 min.

Biographies

The Calouste Gulbenkian Foundation reserves the right to collect and keep records of images, sounds and voice for the diffusion and preservation of the memory of its cultural and artistic activity. For further information, please contact us through the Information Request form.

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