Sons de uma Revolução
Participatory project
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Date
- / Cancelled / Sold out
Location
Grand Auditorium Calouste Gulbenkian FoundationPricing
- Free admission
- Artallis – Conservatório d'Artes de Loures
- Conductor
- Artistic director
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Gulbenkian Orchestra
In 1962, the Calouste Gulbenkian Foundation decided to establish a permanent orchestral ensemble. Originally with only twelve musicians (strings and continuo) it was named “Orquestra de Câmara Gulbenkian”. This collective was successively enlarged and today the “Orquestra Gulbenkian” (the name it has adopted since 1971) has a permanent body of sixty instrumentalists, a number that can be expanded depending on the repertoire.
This structure allows the Gulbenkian Orchestra to interpret works from the Baroque and Classical periods, a significant part of 19th century orchestral literature and much of the music of the 20th century, including works belonging to the current repertoire of the traditional symphonic orchestras. In each season, the orchestra performs on a regular series of concerts at the Gulbenkian Grand Auditorium in Lisbon, where it has had the opportunity of working together with some of leading names of the world of music (conductors and soloists). It has also performed on numerous locations all over Portugal, in an effort to decentralize music and culture.
The orchestra has been constantly expanding its activities in the international level, performing in Europe, Asia Africa, and the Americas. In the recording field, Orquestra Gulbenkian is associated to labels as Philips, Deutsche Grammophon, Hyperion, Teldec, Erato, Adès, Nimbus, Lyrinx, Naïve and Pentatone, among others, and this activity was recognized with several international prizes.
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Diogo Costa
Conductor
Born in Portugal, Diogo Costa is a rising star conductor with a vast repertoire ranging from baroque to contemporary music.
Generously supported by an Ann Gerrard Bursary, he completed his Masters in Conducting with Distinction at the Royal Northern College of Music with Clark Rundell and Mark Heron. He had the opportunity to work as assistant conductor for Juanjo Mena, John Storgårds, Sir Andrew Davis, Nicholas Collon and Ben Gernon at the BBC Philharmonic and Vasily Petrenko at the Royal Liverpool Philharmonic Orchestra.
Diogo began his studies as a conductor in 2010 at the Academia Nacional Superior de Orquestra - Metropolitana with Professor Jean-Marc Burfin in Lisbon. In the last few years, he has taken part in conducting masterclasses with Sir Mark Elder, Martyn Brabbins, Douglas Bostock, Laurence Marks, José Vilaplana and Jean-Sébastien Béreau, during which he conducted the BBC National Orchestra of Wales, Manchester Camerata and Argovia Philharmonic.
As a guest conductor he appeared with The Hallé Orchestra at The Bridgewater Hall in Manchester, the BBC Philharmonic, and the BBC National Orchestra of Wales with a world premiere by Andrew Lewis. In Portugal, Diogo Costa has recently been invited to conduct the Orquestra Sinfónica Portuguesa at the Teatro Nacional de São Carlos in Lisbon, the Orquestra Sinfónica do Porto Casa da Música and the Orquestra Gulbenkian (as assistant conductor to Lorenzo Viotti in Gounod’s Roméo et Juliette).
As a trombonist, he played with the Orquestra Clássica da Madeira, the Orquestra de Câmara de Cascais e Oeiras, the Portuguese Symphonic Wind Band, the Orquestra Académica Metropolitana and the West European Studio Orchestra. He also has a special interest in jazz, performing and recording with the Jazz Orchestra of the Hot Club de Portugal, Reunion Big Jazz Band and Claus Nymark Big Band where he played with renowned jazz musicians such as Benny Golson, Perico Sambeat and John Ellis.
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Mikhail Karikis
Mikhail Karikis is a Greek-British artist working with moving image, sound, performance and other media. Through collaborations with individuals and/or communities located beyond the circles of contemporary art, and in recent years with children, refugees, support workers and people with disabilities, he develops socially embedded projects that prompt an activist imaginary and rouse the potential to invent hopeful and sustainable futures. Focusing on listening as an artistic methodology, and the voice as a socio-political agent he centers on themes of environmental and social justice. His projects highlight alternative modes of action and solidarity, while nurturing critical attention, dignity and care.
Karikis exhibits internationally. In his most recent work for the stage, ‘Universe of Solutions’, he was artistic director for UNESCO’s Creative Cities Network inaugural cultural event for which he created a performance with 150 young people. Group exhibitions include 54th Venice Biennale, (2011), IT; Manifesta 9, Ghenk, (2012); 19th Biennale of Sydney, (2014); Kochi-Muziris Biennale, IN, (2016); MediaCity Seoul, KR (2015); British Art Show 8 (2016-7); 2nd Riga International Biennale of Contemporary Art, LV (2020), 2nd Saitama Triennale (2024), JP and others.
Solo presentations include Songs for the Storm to Come, HOME Gallery, Manchester, UK; Voices, Communities, Ecologies, Cukrarna Centre for Contemporary Art, Ljubljana, SO (2024); Because We Are Together (2023), National Museum of Contemporary Art, Athens GR; Ferocious Love, Tate Liverpool (2020); For Many Voices, Middlesbrough Institute of Modern Art (MIMA), UK (2019-20); Children of Unquiet, TATE St Ives, UK (2019-20); I Hear You, De la Warr Pavilion, UK (2019-20); Mikhail Karikis, MORI Art Museum, Tokyo, JP (2019); No Ordinary Protest, Whitechapel Gallery, London, UK (2018); Ain’t Got No Fear, Turku Art Museum, FI (2018); The Chalk Factory, Aarhus 2017 European Capital of Culture, DK (2017) and Love Is the Institution of Revolution, Casino Luxembourg Forum d’art Contemporain, LU (2017).
Karikis’s creative endeavours include music performances at Royal Opera House Covent Garden and Barbican Theatre, and musical collaborations with Björk, DJ Spooky and the Belgian record label Sub Rosa.
Forthcoming exhibition in 2025 include a career survey show at Kunstmuseum St Gallen in Switzerland and a solo exhibition at The Showroom, London.
Sons de uma Revolução
Mikhail Karikis
Francisco Joaquim
Teresa Gentil
Sara Ross
CREDITS
Maruan Sipert Choreographer
Sara Ross Composer coordination
Isaac Fernandes Artallis Director
Manon Marques Vocal coach
Alix Sarrouy Arts Sociologist
As part of the celebrations for the 50th anniversary of the 25th of April, Sons da Revolução is a participatory project shared between the Loures Conservatory and Gulbenkian Music. It is the result of a commission to the Greek-British visual and sound artist Mikhail Karikis to reflect on the notion of revolution. Accompanied by proposals from three Portuguese composers, Sara Ross, Teresa Gentil and Francisco Joaquim, Karikis has interrogated the young participants in the project about the revolutions we need today as a society, with a particular focus on climate change.
Sponsor Gulbenkian Music
The Calouste Gulbenkian Foundation reserves the right to collect and keep records of images, sounds and voice for the diffusion and preservation of the memory of its cultural and artistic activity. For further information, please contact us through the Information Request form.