Ana Hatherly and the Baroque. In a Garden Made of Ink
This exhibition-essay has only one subject: Ana Hatherly and the Baroque. However, we will not focus solely on the influence of the Baroque on the artist’s work, but on how Ana Hatherly’s research and experimentation enhanced the value of this disparaged historical period and modified our concept of the past – after all, tradition is an unexplored territory of adventure and continual amazement.
Marie José Burki. Sometimes Shade, Sometimes Light
Marie José Burki (Bienna, Switzerland, 1961) works primarily through the medium of film, drawing at times on photography, silkscreen printing and the use of objects in installations which she exploits from a formal, spatial, geometric, sonic and linguistic perspective.
Portugal em Flagrante – Operação 1, 2 and 3
Portugal em Flagrante is a semi-permanent exhibition of the Calouste Gulbenkian Museum’s Modern Collection designed to offer both an introduction to the history of art and culture in Portugal during the twentieth century and a more in-depth resource for students and academics.