Camille Émaille Percussion
Camille Émaille believes that a percussion solo is not a real solo, because objects emit sounds by themselves and are always inspiring ideas. Which explains why it has been said that Émaille’s performances are equally “a precarious and spectacular architecture that one connects to, a tenuous and tense drama that one touches, a gracious and wild interaction with a body of sound that she kneads or activate”. The organic relationship that Émaille seeks and establishes with the sound of each musical object means that she also builds her own instruments and understands that improvisation, as a flux permanently connected to daily life, feeds off what already exists around her.
The Calouste Gulbenkian Foundation reserves the right to collect and keep records of images, sounds and voice for the diffusion and preservation of the memory of its cultural and artistic activity. For further information, please contact us through the Information Request form.
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