1.0Centro de Arte Modernahttps://gulbenkian.pt/cam/en/Centro de Arte Modernahttps://gulbenkian.pt/cam/en/rich600338<blockquote class="wp-embedded-content" data-secret="AH0Onstx4f"><a href="https://gulbenkian.pt/cam/en/artist/manuel-botelho-2/">Manuel Botelho</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://gulbenkian.pt/cam/en/artist/manuel-botelho-2/embed/#?secret=AH0Onstx4f" width="600" height="338" title="“Manuel Botelho” — Centro de Arte Moderna" data-secret="AH0Onstx4f" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> The closing of the 60s would be crucial for Botelho, starting his fight against the political atrocities of his time, at the same he also began militantly his formal artistic education. In 1968 he studied drawing with Sá Nogueira at the National Society of Fine Arts in Lisbon, made his first appearance in group exhibitions […]